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Alternate Views

A Woman's Work

1912

John Sloan

(American, 1871-1951)

America, 20th century

Oil on canvas

Framed: 97.2 x 82.2 x 6.4 cm (38 1/4 x 32 3/8 x 2 1/2 in.); Unframed: 80.3 x 65.4 cm (31 5/8 x 25 3/4 in.)

Gift of Amelia Elizabeth White 1964.160

Location

208 American Gilded Age and Realism

Did you know?

According to John Sloan's diary, this painting was made in March 1912 at his apartment on East 22nd Street, New York.

Description

Trained as a journalist, the young Sloan explored social issues more vigorously than most of the painters of his time, portraying working-class urbanites engaged in ordinary activities. He observed this particular scene through a rear window of his Manhattan apartment. Perched on a narrow fire escape, a woman hangs fresh laundry to dry on clotheslines strung between tenements. As evidenced by the painting, the labors of American women at the turn of the 1900s were most often confined to the domestic realm.

Video

Inscriptions

Inscription

Signed lower right: "John Sloan -"

Provenance

Sold c. 1939-1940 to Amelia White, Santa Fe.

Citations

Sloan, John. Gist of Art . New York: 1944. Reproduced: p.229

Sloan, John. John Sloan. New York, NY: American Artists Group, 1945. Reproduced: p.45 (unpaginated)

Brooks, Van Wyck. John Sloan: A Painter's Life. London, United Kingdom: J.M. Dent & Sons, Ltd., 1955. Reproduced: Image reproductions between pp.182-183

"Year in Review for 1964." The Bulletin of The Cleveland Museum of Art (December, 1964) Mentioned: p.264; Reproduced: p.251, n.87

Sloan, John. John Sloan's New York Scene from the Diaries, Notes, and Correspondence 1906-1913. ed. Bruce St. John. New York, NY: Harper & Row, 1965. Mentioned: pp.609

Cleveland Museum of Art, “On Our Cover…,” January 7, 1965, Cleveland Museum of Art Archives. archive.org

"Reports of the Departments: Paintings." The Bulletin of The Cleveland Museum of Art (June, 1965). Mentioned: pp.143-144

Cleveland Museum of Art. Handbook of The Cleveland Museum of Art Cleveland: Press of Western Reserve University, 1966. Reproduced: p.191 archive.org

Wade, Richard C., Howard B. Wilder, and Louise C. Wade. A History of the United States. Boston, MA: Houghton Mifflin Company, 1966. Mentioned and reproduced: p.484

"Recent Acquisitions in the American Field." Art in America 54 (May-June, 1966). Reproduced: p.46

Cleveland Museum of Art. Handbook of The Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 1969. Reproduced: p.191 archive.org

Time-Life Editors. American Painting 1900-1970. New York, NY: Time-Life Books, 1970. Mentioned: p.13; Reproduced: p.12

St. John, Bruce. John Sloan. New York, NY: Praeger Publishers, 1971. Reproduced: n.39

Price, Vincent. The Vincent Price Treasury of American Art. Waukesha, WI: Country Beautiful Corporation, 1972. Reproduced: p.195

Adams, Celeste, Rita Myers, and Adele Z. Silver. An Introduction to American Art in the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 1972. Mentioned: p.16; Reproduced: p.17

Holcomb III, Grant. A Catalogue Raisonné of the Paintings of John Sloan. Ph.D. Dissertation, University of Delaware, 1972. Mentioned: pp.499-500; Reproduced: p.501

"A Check List: American Paintings and Water Colors of the Eighteenth, Nineteenth, and Early Twentieth Centuries in The Cleveland Museum of Art." The Bulletin of the Cleveland Museum of Art (January, 1973). Mentioned: p.33

Sharp Young, Mahonri. American Realists: Homer to Hopper. New York, NY: Watson-Guptill Publications, 1977. Mentioned: pp.161-162; Reproduced: p.168

Lucie-Smith, Edward, and Celestine Dars. Work and Struggle: The Painter As Witness 1870-1914. New York, NY: Paddington Press; Distributed by Grosset & Dunlap,1977. Reproduced: n.198

Johnson, Mark M. "American Landscapes... Scenes as Divergent as the Land Itself." Arts and Activities 82, no. 4 (December 1977). Mentioned: p.31; Reproduced: p.30

The Cleveland Museum of Art. Handbook of The Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 1978. Reproduced: p.238 archive.org

Hills, Patricia. "John Sloan's Images of Working Class Women: A Case Study of the Roles and Interrelationships of Politics, Personality, and Patrons in the Development of Sloan's Art, 1905-16." Prospect 5 (October 1980). Mentioned: p.175; Reproduced: p.214 www.academia.edu

Unger, Irwin. These United States, The Question of Our Past. Vol. 2. Boston, MA: Little, Brown and Co., 1982. Mentioned and Reproduced: p.596

Silver, Adele Z. The Cleveland Museum of Art: Guide to the Galleries. Cleveland, OH: Cleveland Museum of Art, 1981. Mentioned: p.84; Reproduced: p.85

"In the Background: The Ashcan School." The Great Artists, Their Lives, Works, and Inspiration: Hopper. London: Marshall Cavendish Ltd., 1986. Vol.4, Part 88. Reproduced: p.2812

Elzea, Rowland. John Sloan's Oil Paintings: A Catalogue Raisonné. Newark, DE: University of Delaware Press, 1991. Mentioned and Reproduced: pp.115-116

The Cleveland Museum of Art. Handbook of The Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 1991. Reproduced: p.144

Chong, Alan. European & American Painting in The Cleveland Museum of Art: A Summary Catalogue. Cleveland, OH: Cleveland Museum of Art, 1993. Reproduced: p.224

Garraty, John A. Story of America. 1994.

Amon Carter Museum. "American Impressionists, American Realists: In Search of the New". Educational video (April 1994).

Updike, John. "Beyond the Picturesque." The New York Review. June 23,1994. Mentioned: pp.21, 23; Reproduced: p.21

Loughery, John. John Sloan: Painter and Rebel. New York, NY: Henry Holt and Company, Inc., 1995. Mentioned: p.347

Elements of Literature, Grade 9. New York, NY: Holt, Rinehart, and Winston, 2000. Mentioned and Reproduced: p.T203

Perlman, Bennard B. American Artists, Authors, and Collectors: The Walter Pach Letters 1906-1958. Albany, NY: State University of New York Press, 2002. Reproduced: p.379

Bender, Thomas. The Unfinished City: New York and the Metropolitan Idea. New York, NY: The New Press, 2002. Mentioned: pp.110-111; Reproduced: p.111

Kramer, Karen and Alexandra Lerman."The Ballad of Greenwich Village."(New York, 2003?) independent documentary.

Foa, Emma. Artists in Their Time: Edward Hopper. New York, NY: Franklin Watts, 2003. Reproduced: p.7

Curry, David Park. James Mcneill Whistler: Uneasy Pieces. Richmond, VA: Virginia Museum of Fine Arts in association with Quantuck Lane Press, 2004. Mentioned: pp.85-86; Reproduced: p.86, n.3.25

Updike, John. Still Looking: Essays on American Art. New York, NY: Alfred A. Knopf, 2005. Mentioned: pp.110,118; Reproduced: p.111

Coyle, Heather Campbell and Joyce K. Schiller. John Sloan's New York. Wilmington, DE: Delaware Art Museum, 2007. Mentioned: p.92; Reproduced: p.94

Adams, Henry. What's American about American Art? A Gallery Tour in the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2008. Mentioned: p.111; Reproduced: p.110

Pohl, Frances K. Framing America: A Social History of American Art . New York, NY: Thames and Hudson, 2008. Mentioned: p.336; Reproduced: p.336, n.6.19

Dearinger, David B. George Deem: The Art of Art History. Boston, MA: The Boston Athenaeum, 2012. Reproduced: p.33

Litt, Steven. "Close Up." The Plain Dealer, September 23, 2012. Mentioned and Reproduced: p.E6

Roehrl, Boris. World History of Realism in Visual Arts, 1830-1990 Hildesheim, Germany: Georg Olms Verlag, 2013. Mentioned: p.131-132; Reproduced: p.132

Griffin, Patrick. America's Revolution. New York and Oxford: Oxford University Press, 2013 Reproduced: p.44

Roehrl, Boris. Realismus in der bildenden Kunst. Europa und Nordamerika 1830 bis 2000. Berlin, Germany: Gebr. Mann Verlag, 2013. Mentioned: pp.79-80; Reproduced: p.80

Henretta, James A., Rebecca Edwards, and Robert O. Self. America's History. 7th ed. Boston, MA and New York, NY: Bedford/St. Martin's, 2014. Mentioned and reproduced: p.583

Belasco, Susan and Link Johnson, eds. The Bedford Anthology of American Literature: Beginnings to the Present. Shorter Second Edition. Boston, MA and New York, NY: Bedford/St. Martin's, 2014. Mentioned: p.1131; Reproduced: p.1130

Slayton, Robert A. Beauty in the City: The Ashcan School. Albany, NY: Excelsior Editions, State University of New York Press, 2017. Mentioned: pp.112-113; Reproduced: p.113, no.7.8

Friese-Oertmann, Sabine. Arbeiter in Malerei und Fotografie des 19. Jahrhunderts: Deutschland, Großbritannien, USA. Berlin: Reimer, 2017. Reproduced: p 200, Abb.135

Exhibition history

Group Exhibition. MacDowell Club, New York, NY (17-29 April 1913); see Elzea, pp. 116 and 449.

Exhibition of Paintings, Drawings and Etchings by John Sloan. Kraushaar Galleries, New York, NY (19 March-7 April 1917); no. 11.

Exhibition of Paintings by George Luks, Augustus Vincent Tack and John Sloan. Wisconsin Art Institute, Milwaukee, WI (March 1918).

Annual Exhibition of Paintings and Sculpture by Members of the Club. Whitney Studio Club, New York, NY (20 March-20 April 1921).

Sculpture, Painting, and Crafts by Greenwich Village Artists. Greenwich House, New York, NY (24 April-2 May 1922); no. 50; see Elzea's publication.

120th Annual Exhibition of the Pennsylvania Academy of the Fine Arts. Pennsylvania Academy of the Fine Arts, Philadelphia, PA (8 February-29 March 1925); no. 236.

Annual Exhibition of Recent American Paintings. Rhode Island School of Design, Providence, RI (13 October-9 November 1925); no. 23.

John Sloan: Paintings, Etchings, and Drawings. Wanamaker Galleries, New York, NY (4 November-? December 1939); traveled to Wanamaker Galleries, Philadelphia, PA (8-29 January 1940); no. 41.

Then and Now. Park Avenue Gallery, New York, NY (7-19 October 1940); see Elzea's publication.

John Sloan. Martha White Memorial Gallery, Santa Fe, NM (15-29 August 1942); see Elzea's publication.

30th Annual Exhibition: Painters and Sculptors of the Southwest. Museum of New Mexico, Santa Fe, NM (1 August-15 September 1943), cat. no. 173.

John Sloan: Paintings, Prints, Drawings. Hood Museum of Art, Dartmouth College, Hanover, NH (2 October 1981-3 January 1982); traveled to Decordova and Dana Museum and Park, Lincoln, MA (23 January-7 March 1982); to Kalamazoo Institute of Arts, Kalamazoo, MI (18 March-2 May 1982); to Elvehjem Museum of Art, University of Wisconsin, Madison, WI (12 June-1 August 1982); to Dayton Art Institute, Dayton, OH (11 September-24 October 1982); to Memorial Art Gallery of the University of Rochester, Rochester, NY (6 November 1982-2 January 1983), cat. no. 15, pp. 17-20, 22, 52-53, illus. p. 53.

American Cities: The Artist's View. The Cleveland Museum of Art, Cleveland, OH (17 October 1989-7 January 1990).

America in Art: Fifty Great Paintings Celebrating Fifty Years. Santa Barbara Museum of Art, Santa Barbara, CA (6 June-11 August 1991) pp. 8-11, 98-99, illus. p. 99, no cat. no.

American Impressionism and Realism: The Painting of Modern Life, 1885-1915. The Metropolitan Museum of Art, New York, NY (2 May-24 July 1994); to Los Angeles County Museum of Art, Los Angeles, CA (6 March-14 May 1995); pp. 286-291, illus. fig. no. 294.

Year in Review (1964). The Cleveland Museum of Art (organizer) (January 1-31, 1965).

American Cities: The Artist's View. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 17, 1989-January 7, 1990).

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{{cite web|title=A Woman's Work|url=https://clevelandart.org/art/1964.160|author=John Sloan|year=1912|access-date=15 October 2021|publisher=Cleveland Museum of Art}}

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A Woman's Work

A Woman's Work

John Sloan

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