Adoration of the Shepherds

c. 1670
(Italian, 1616–1687)
Framed: 108 x 90.2 x 7.7 cm (42 1/2 x 35 1/2 x 3 1/16 in.); Unframed: 88.6 x 70.5 cm (34 7/8 x 27 3/4 in.)
Location: not on view
You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative.

Download, Print and Share

Description

The historical significance of the Baroque painter Carlo Dolci, a precocious artist whose skill was recognized early by the leading Florentine patrons of his time, is often diminished due to his traditionalist compositions. Having gained local reputation as a talented portraitist and painter of religious narrative, Dolci's anti-Mannerist technique dismissed many of the leading Baroque trends as superfluous, retaining an unobtrusive and placid style in the manner of those before him. Having been a devout follower of the brotherhood of St. Benedict, Dolci draws upon a strict Christian iconography in his depiction of the shepherds' witness account of the birth of Christ. --Charles Eppley (January 2009)
Adoration of the Shepherds

Adoration of the Shepherds

c. 1670

Carlo Dolci

(Italian, 1616–1687)
Italy, 17th century

Visually Similar Artworks

ArtLens App

Let the ArtLens App be your guide, featuring an interactive map, every artwork on view, and AR scanning. Keep track of your favorite artworks. Take a guided tour, or create your own. 

Download the App
background

Contact us

The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.

To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.