A Home in the Wilderness
1866
Sanford Robinson Gifford
(American, 1823–1880)
America
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Painted Landscapes: Contemporary Views
"This book explores American landscape painting today, its relevance in the contemporary art world, and its historic roots. This volume profiles sixty individual living artists whose contributions distinguish important aspects of the genre and address land use, nature appreciation, and ecology through landscape painting. Encompassing every style from traditional realism (with a contemporary edge) to abstraction and non-objectivity, these contemporary artists range from today’s art stars to emerging or regionally recognized talent in the eastern, western, and southwestern regions of the nation. An additional chapter addresses urban landscapes nationally. The range of styles and reputations presented creates an encompassing survey of the trends and enduring elements in this genre of painting and the art market today. 272 pp | 206 color photosAmerican Painting
This book presents an overview of American painting of the 19th century, from the Hudson River School to Realism, Impressionism, and the Ashcan School. 480 pagesHudson River Valley School Boxed Notecard Assortment
Thomas Cole’s (American, 1801–1848) depictions of the of New York’s Catskill wilderness launched the nation’s first native art movement. The Hudson River Valley school arose during a period of exploration, expansion, and a growing desire to preserve areas of unspoiled beauty. Artists such as Cole paid homage to the play of light on sky, water, and land as they infused their work with the sense of humankind's smallness in the face of natural grandeur. After Cole’s death, a second generation of Hudson River Valley school artists, including Frederic Edwin Church, Jasper Francis Cropsey, and Martin Johnson Heade, carried on this American tradition. Contains five each of the following images: Martin Johnson Heade, Rhode Island Shore, 1858 Frederic Edwin Church, Tamaca Palms, 1854 Jasper Francis Cropsey, Autumn—On the Hudson River, 1860 Thomas Cole, View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, 1836 • 20 blank notecards (5 each of 4 designs) with envelopes in a decorative box• Printed in full color on recycled paper with soy-based inks• High-quality 250 gsm card stock• Soft white envelopes• Pomegranate’s notecard sets feature exclusive selections of art from museums and artists around the worldBox size: 5.375 x 7.375 x 1.5 in.Card size: 5 x 7 in.The Cleveland Museum of Art: Art Spaces
This fully illustrated book presents a brief view of the museum’s recent renovations and additions by famed architect Rafael VinÞoly. Confronted with the need to address facility concerns, devise more gallery space, and connect the various pre-existing styles from earlier additions, VinÞoly designs an architectural masterpiece by using a scheme of various spaces and architectural elements, all united by a soaring glass-roofed atrium to harmonize the museums architecture. 64 pages Published 2013Contact us
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