Images
https://piction.clevelandart.org/cma/ump.di?e=CF6A3DF3E5A279AA46E19DAD5A6D055996F96C13D866364A929C003D415EBC08&s=24247294&se=2040367084&v=4&f=1983.217_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=4DBCD35074F7392548ADF59567AA8850F4DEBEACBFE217CCE98EF03DFEDB8EEB&s=24247294&se=2040367084&v=1&f=%5C1983.217det01_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=4DBCD35074F7392541AAC65253D8775A8976209EA47531AF0E5FCACCC02B78FE&s=24247294&se=2040367084&v=1&f=%5C1983.217detFR_o2.jpg
May 3, 2007
Feb 23, 2012
Feb 23, 2012
The Fall of Simon Magus
The Fall of Simon Magus
c. 1745– 1750
studio of Pompeo Batoni
(Italian, 1708–1787)
Oil on canvas
Framed: 207 x 133 x 10.5 cm (81 1/2 x 52 3/8 x 4 1/8 in.); Unframed: 183 x 108 cm (72 1/16 x 42 1/2 in.)
John L. Severance Fund 1983.217
Location
Download and Share
Description
Saints Peter and Paul came to Rome to win converts to Christianity soon after Christ’s death, while Simon Magus, claiming to be the son of God, attempted to prove his divinity by flying. Due to Saint Peter’s prayers, the demons supporting Simon abandoned him and he plummeted to his death.This work is probably a studio copy after a lost oil sketch for a huge altarpiece commissioned in 1746 for Saint Peter’s Basilica at the Vatican. Because of the humidity in Saint Peter’s, which quickly ruined paintings, the work was to have been translated into a massive mosaic. However, for reasons that remain unclear, Batoni’s mosaic was never created.
Contact us
The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.