(Moroccan, b. 1956)
Chromogenic print mounted to aluminum with a UV protective laminate
Overall: 76.2 x 101.6 cm (30 x 40 in.)
© Lalla Essaydi
The Severance and Greta Millikin Purchase Fund 2012.13
Adapted from the renowned French neoclassical painting La Grande Odalisque by Jean-Auguste-Dominique Ingres (1780–1867), this photograph belongs to a series that reflects the complex female identities in the Muslim world. Inspired by her journal, Essaydi swathed the woman’s body with Arabic text using henna—associated with special celebratory events such as puberty, marriage, and bearing a first child when the feet and hands are decorated during female festivities. Similarly in Iran, paintings of stories in illustrated manuscripts were frequently adapted from established compositions from the 1300s through the 1600s, as seen in the examples nearby.
The information about this object, including provenance information, is based on historic information and may not be currently accurate or complete. Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. If you notice a mistake or have additional information about this object, please email email@example.com.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
Is something not working on this page? Please email firstname.lastname@example.org.
Request a digital file from Image Services that is not available through CC0, a detail image, or any image with a color bar. If you have questions about requesting an image, please email email@example.com.