Sandy and Her Husband

1973
(American, 1937–2020)
112.4 x 127.6 cm (44 1/4 x 50 1/4 in.)
© Emma Amos / Licensed by VAGA at Artists Rights Society (ARS), NY
Location: not on view
This artwork is known to be under copyright.

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Did You Know?

The image of the young woman behind the couple is a self-portrait of Amos titled Flower Sniffer (1966), in the collection of the Brooklyn Museum.

Description

In Sandy and Her Husband, the dancing couple at the center of the image is joined by Amos herself: the artist inserted herself into the picture by rendering an earlier self-portrait, Flower Sniffer (1966), which hangs on the wall behind the couple. However, even as Amos is part of the composition, she is peripheral to the scene, unseen or ignored by the dancers. From the early 1960s until her death in 2020, Amos made paintings, prints, and textiles celebrating African American identity and culture, and often exploring women’s presence within that heritage.
Sandy and Her Husband

Sandy and Her Husband

1973

Emma Amos

(American, 1937–2020)
America

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Sandy and Her Husband

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Young, Gifted and Black: A New Generation of Artists
Young, Gifted and Black: A New Generation of Artists
Antwaun SargentWhat's new, now and next from contemporary Black artistsThis book surveys the work of a new generation of Black artists, and also features the voices of a diverse group of curators who are on the cutting edge of contemporary art. As mission-driven collectors, Bernard I. Lumpkin and Carmine D. Boccuzzi have championed emerging artists of African descent through museum loans and institutional support. But there has never been an opportunity to consider their acclaimed collection as a whole until now.Edited by writer Antwaun Sargent (author of The New Black Vanguard: Photography Between Art and Fashion), Young, Gifted and Black draws from this collection to shed new light on works by contemporary artists of African descent. At a moment when debates about the politics of visibility within the art world have taken on renewed urgency, and establishment voices such as the New York Times are declaring that "it has become undeniable that African American artists are making much of the best American art today," Young, Gifted and Black takes stock of how these new voices are impacting the way we think about identity, politics and art history itself.Young, Gifted and Black contextualizes artworks with contributions from artists, curators and other experts. It features a wide-ranging interview with Bernard Lumpkin and Thelma Golden, director, and chief curator of the Studio Museum in Harlem; and an in-depth essay by Antwaun Sargent situating Lumpkin in a long lineage of Black art patrons. A landmark publication, this book illustrates what it means (in the words of Nina Simone) to be young, gifted, and Black in contemporary art.192 pagesFirst published September 29, 2020

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