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Medium: Pen and brown ink with brush and brown wash (78)
Medium: Pen and brown ink with brush and brown wash (78)
A Procession of Triumphal Cars in the Piazza San Marco, Venice,...
Francesco Guardi (Italian, 1712-1793)
1955.164CCCC0
A Procession of Triumphal Cars in the Piazza San Marco, Venice,...
Francesco Guardi (Italian, 1712-1793)
1955.164.aCCCC0
The Presentation in the Temple
François Boucher (French, 1703-1770)
1925.1005CCCC0
Capriccio: A Palace with a Courtyard by the Lagoon
Antonio Canaletto (Italian, 1697-1768)
1930.23CCCC0
A Lady with Three Suitors
France, 16th century
1956.40CCCC0
Madonna Nursing the Christ Child
Bartolomé Esteban Murillo (Spanish, 1617-1682)
1968.66CCCC0
Piazza San Marco, Venice
Francesco Guardi (Italian, 1712-1793)
1951.83CCCC0
The Waterfall of Marmore at Terni
Philipp Hackert (German, 1737-1807)
1982.40CCCC0
The Holy Family (also known as Christ in the Lap of Truth)
William Blake (British, 1757-1827)
1950.239CCCC0
Saint Deicolus and the Boar
Johann Wolfgang Baumgartner (German, 1712-1761)
1967.22CCCC0
The Fisherman (Le Pêcheur)
Théodore Rousseau (French, 1812-1867)
1980.18CCCC0
Standing Officer Holding a Boar's Spear
Hendrick Goltzius (Dutch, 1558–1617)
1994.195CCCC0
Christ Taken Before Caiaphas
Rembrandt van Rijn (Dutch, 1606-1669)
1960.187CCCC0
The Funeral of Saint Stephen
Filippo Lippi (Italian, c. 1406-1469)
1947.70CCCC0
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528-1612)
1960.26CCCC0
Man in Armor beside a Chariot
assistant of Francesco Salviati (Italian, 1510-1563)
1964.99CCCC0
Sketch of the Labyrinth of the Villa Pisani
Francesco Guardi (Italian, 1712-1793)
1939.665.aCCCC0
The Trial
Giovanni Domenico Tiepolo (Italian, 1727-1804)
1937.569CCCC0
Peasant's Cottage (recto); Bridge and Gate (verso)
Abraham Bloemaert (Dutch, 1564-1651)
1940.737CCCC0
Peasant's Cottage (recto)
Abraham Bloemaert (Dutch, 1564-1651)
1940.737.aCCCC0
Design for a Ceiling: Mars and Aries
Italy, 18th century
1927.337CCCC0
St. Jerome in His Study
Filippino Lippi (Italian, 1457-1504)
1924.532CCCC0
The Risen Christ Adored by Saints and Angels
Giorgio Vasari (Italian, 1511-1574)
1991.43CCCC0
The Nativity with the Dream of Joseph
Parmigianino (Italian, 1503-1540)
1924.1003CCCC0
The Meeting of Orestes and Hermione
Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824)
1989.101CCCC0
Punchinello Arrested
Giovanni Domenico Tiepolo (Italian, 1727-1804)
1937.570CCCC0
Copy of Tintoretto's Children of Israel Gathering Manna
copy after Jacopo Tintoretto (Italian, 1518-1594)
1929.534CCCC0
Design for a Ciborium
Fantoni Family Workshop (Italian)
1925.1189CCCC0
Saint Christopher
Andrea Mantegna (Italian, 1431-1506)
1956.39CCCC0
The Last Communion of St. Jerome
Giovanni Battista Tiepolo (Italian, 1696-1770)
1950.449CCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570-1596)
1946.216CCCC0
Copy after Giulio Romano's Fall of Icarus
after Giulio Romano (Italian, 1492/99-1546)
1992.90CCCC0
Interior of a Cathedral
Samuel Prout (British, 1783-1852)
1940.560CCCC0
Landscape with Clump of Trees
Italy, Bologna, 17th century
1947.347CCCC0
Architectural Conference
Italy, 17th century
1954.713CCCC0
Monumental Vaulted Hall with Staircase
Giuseppe Galli Bibiena (Italian, 1696-1757)
1962.114CCCC0
Madonna and Child with Saints
after Giuseppe Bazzani (Italian, 1690-1769)
1960.72CCCC0
Copy after Primaticcio's Juno Awakening Sleep
copy after Francesco Primaticcio (Italian, 1504-1570)
1929.537CCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593-1678)
1954.366CCCC0
View of Alkmaar with Boats
Netherlands, 17th century
1929.538CCCC0
Flagellation of Christ
Gaspare Diziani (Italian, 1689-1767)
1960.179CCCC0
Elevation for Wall Decoration
Italy, 16th century
1927.363CCCC0
The Stag Hunt
Giovanni Domenico Tiepolo (Italian, 1727-1804)
1981.36CCCC0
The Tric-Trac Players
Philips de Koninck (Dutch, 1619-1688)
1958.373CCCC0
Maternal Solicitude
Jean Baptiste Le Prince (French, 1734-1781)
1953.609CCCC0
François I Brandishing a Sword
Alexandre-Evariste Fragonard (French, 1781-1850)
2019.254CCCC0
Design for Two Vases and an Ornament (recto)
Luzio Romano (Italian, active 1528-75)
1925.1190.aCCCC0
Floral Design with Dog and Insects
Giacomo Cavenezia (Italian)
1952.290CCCC0
Romulus and Remus Found by Faustulus (recto)
Romanino (Italian, 1484/87-1562)
1963.87.aCCCC0
Boar Hunt
Abraham Hondius (Dutch, c. 1625-1695)
1960.157CCCC0
Detail of Martyrdom of Saint John the Evangelist, after Callot
Stefano Della Bella (Italian, 1610-1664)
1958.430CCCC0
Bacchanal
circle of Pietro da Cortona (Italian, 1596-1669)
1954.688CCCC0
The Entombment
Giovanni de' Vecchi (Italian, 1536-1615)
2017.5CCCC0
A View of Spa
Jan Brueghel (Flemish, 1568-1625)
1979.26CCCC0
Madonna and Child with Angels
Aurelio Luini (Italian, 1530-1593)
1988.107CCCC0
Assumption of the Virgin
Italy, 17th century
1954.683CCCC0
A Barnyard with Goats and a Goatherd
Abraham Bloemaert (Dutch, 1564-1651)
1980.49CCCC0
Copy of Raphael's Massacre of the Innocents
follower of Raphael (Italian, 1483-1520)
1988.28CCCC0
Five Equestrian Studies: Cavalrymen
Auguste Raffet (French, 1804-1860)
1956.601CCCC0
Allegory
Charles Abraham Chasselat (French, 1782-1843)
1982.366CCCC0
Illustration from Torquato Tasso's Gerusalemme Liberata
Bernardo Castello (Italian, 1557-1629)
1954.692CCCC0
Design for a Monstrance
Anonymous
1971.33CCCC0
Ruth and Boaz (recto)
Italy, 17th century
1954.684.aCCCC0
The Fall of Simon Magus (verso)
Italy, 17th century
1954.684.b©
Landscape with Sheep and Two Shepherds
Thomas Barker (British, 1769-1847)
1954.701CCCC0
Rape of the Sabines
France, 18th century
1954.678CCCC0
View of Lake Nemi (recto)
Italy, 17th century
1955.159.aCCCC0
Small Group of Roman Ruins (verso)
Italy, 17th century
1955.159.bCCCC0
Mountain Landscape with Figures
Anton Mirou (Flemish, bef 1586-aft 1661)
1954.707CCCC0
Ships at Sea
Ludolf Backhuysen (Dutch, 1631-1708)
1954.702CCCC0
Christ in Glory with Two Saints
Marcantonio Bassetti (Italian, 1586-1630)
1939.657CCCC0
Roman Subject
attributed to Philibert Benoît Delarue (French, 1718-1780)
1939.656CCCC0
Eighteen Views of Rome: The Piazza Barberini (recto); Tracing of a...
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.265CCCC0
Eighteen Views of Rome: The Piazza Barberini (recto)
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.265.aCCCC0
Venus Disarming Mars, Drapery Study (verso)
Peter Paul Rubens (Flemish, 1577-1640)
1970.37.bCCCC0
Perseus and Minerva before a Temple
Jan Goeree (Dutch, 1670-1731)
1998.152CCCC0
View of the Castle Gnandstein
Adrian Zingg (Swiss, 1734-1816)
2015.76CCCC0
The Visitation
Mario Toppi (Italian)
1953.648©
Title, DateArtist / CultureAccession numberMediumDimensionsCredit lineRights
A Procession of Triumphal Cars in the Piazza San Marco, Venice,...
Francesco Guardi (Italian, 1712-1793)
1955.164Pen and brown ink with brush and brown washSheet: 25.9 x 36.8 cm (10 3/16 x 14 1/2 in.)John L. Severance FundCCCC0
The Presentation in the Temple
François Boucher (French, 1703-1770)
1925.1005Pen and brown ink, brush and brown wash, and black chalk, heightened with white paint, framing lines in brown inkSheet: 32.3 x 20 cm (12 11/16 x 7 7/8 in.); Framed: 66 x 50.9 x 6.4 cm (26 x 20 1/16 x 2 1/2 in.)Gift of Leonard C. Hanna, Jr.CCCC0
Capriccio: A Palace with a Courtyard by the Lagoon
Antonio Canaletto (Italian, 1697-1768)
1930.23Pen and brown ink and brush and gray wash with brush and black ink, over traces of graphite (?), framing lines in brown and black inkSheet: 26.9 x 42.1 cm (10 9/16 x 16 9/16 in.)Purchase from the J. H. Wade FundCCCC0
A Lady with Three Suitors
France, 16th century
1956.40Pen and brown ink, brush and brown wash, with traces of black chalkSheet: 23 x 19.3 cm (9 1/16 x 7 5/8 in.)John L. Severance FundCCCC0
Madonna Nursing the Christ Child
Bartolomé Esteban Murillo (Spanish, 1617-1682)
1968.66Pen and brown ink and brush and brown wash over red and black chalk, with traces of white, framing lines in brown inkSheet: 21.4 x 15.4 cm (8 7/16 x 6 1/16 in.); Secondary Support: 24.1 x 18.5 cm (9 1/2 x 7 5/16 in.)Mr. and Mrs. Charles G. Prasse CollectionCCCC0
Piazza San Marco, Venice
Francesco Guardi (Italian, 1712-1793)
1951.83Pen and brown ink, brush and brown wash, with brush and gray wash (possibly chalk) and traces of black chalk, framing lines in brown and black inkSheet: 31.3 x 46.5 cm (12 5/16 x 18 5/16 in.)John L. Severance FundCCCC0
The Waterfall of Marmore at Terni
Philipp Hackert (German, 1737-1807)
1982.40Pen and black ink, brush and brown wash, with white gouache and graphiteSheet: 52.2 x 39.9 cm (20 9/16 x 15 11/16 in.)Dudley P. Allen FundCCCC0
The Holy Family (also known as Christ in the Lap of Truth)
William Blake (British, 1757-1827)
1950.239Black, gray, and brown ink applied with pen and point of brush; gray, pink, yellow, and green washSheet: 37.9 x 32.5 cm (14 15/16 x 12 13/16 in.)John L. Severance FundCCCC0
Saint Deicolus and the Boar
Johann Wolfgang Baumgartner (German, 1712-1761)
1967.22Pen and brown and gray ink and brush and gray wash heightened with white gouache; incised, verso coated with red chalkSheet: 52.2 x 73.5 cm (20 9/16 x 28 15/16 in.)Dudley P. Allen FundCCCC0
The Fisherman (Le Pêcheur)
Théodore Rousseau (French, 1812-1867)
1980.18Pen and brown ink and brush, gray and black wash (scratched away in places), with touches of pink watercolorSheet: 20.9 x 28 cm (8 1/4 x 11 in.); Secondary Support: 20.9 x 28 cm (8 1/4 x 11 in.); Tertiary Support: 29.6 x 37.9 cm (11 5/8 x 14 15/16 in.)John L. Severance FundCCCC0
Standing Officer Holding a Boar's Spear
Hendrick Goltzius (Dutch, 1558–1617)
1994.195Pen and brown ink and brush and brown wash with red chalk (in the face and hands), heightened with traces of white, over black chalk, incised throughout, framing lines in brown ink and graphiteSheet: 20.6 x 15.6 cm (8 1/8 x 6 1/8 in.)Leonard C. Hanna, Jr. FundCCCC0
Christ Taken Before Caiaphas
Rembrandt van Rijn (Dutch, 1606-1669)
1960.187Pen and brown ink and brush and brown wash, with white gouacheSheet: 18.2 x 23.4 cm (7 3/16 x 9 3/16 in.); Secondary Support: 18.2 x 23.4 cm (7 3/16 x 9 3/16 in.)Leonard C. Hanna, Jr. FundCCCC0
The Funeral of Saint Stephen
Filippo Lippi (Italian, c. 1406-1469)
1947.70Pen and brown ink with brush and brown wash with traces of stylus over traces of black chalkSheet: 24.9 x 19.3 cm (9 13/16 x 7 5/8 in.); Secondary Support: 24.9 x 19.3 cm (9 13/16 x 7 5/8 in.)John L. Severance FundCCCC0
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528-1612)
1960.26Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister), framing lines in brown inkSheet: 27.7 x 42.6 cm (10 7/8 x 16 3/4 in.)L. E. Holden FundCCCC0
Man in Armor beside a Chariot
assistant of Francesco Salviati (Italian, 1510-1563)
1964.99Pen and brown ink and brush and brown wash over black chalk, heightened with whiteSheet: 35.7 x 27.1 cm (14 1/16 x 10 11/16 in.); Secondary Support: 35.7 x 27.4 cm (14 1/16 x 10 13/16 in.); Tertiary Support: 35.8 x 27.4 cm (14 1/8 x 10 13/16 in.)Dudley P. Allen FundCCCC0
Pair of Drawings: Sketch of the Labyrinth of the Villa Pisani  and...
Francesco Guardi (Italian, 1712-1793)
1939.665Pen and brown ink with brush and brown washSheet: 12.7 x 13.1 cm (5 x 5 3/16 in.)Gift of Robert Hays GriesCCCC0
The Trial
Giovanni Domenico Tiepolo (Italian, 1727-1804)
1937.569Pen and brown ink and brush and brown wash, with black chalk; framing lines in brown ink over graphiteSheet: 35 x 46.4 cm (13 3/4 x 18 1/4 in.); Image: 29.3 x 41.3 cm (11 9/16 x 16 1/4 in.)Purchase from the J. H. Wade FundCCCC0
Peasant's Cottage (recto); Bridge and Gate (verso)
Abraham Bloemaert (Dutch, 1564-1651)
1940.737Pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalkSheet: 17.2 x 27.2 cm (6 3/4 x 10 11/16 in.)Bequest of James ParmeleeCCCC0
Design for a Ceiling: Mars and Aries
Italy, 18th century
1927.337Pen and brown ink and brush and brown wash and watercolor, with gouache, over traces of graphite; framing lines in brown inkSheet: 24.9 x 24.7 cm (9 13/16 x 9 3/4 in.); Secondary Support: 45.1 x 33.9 cm (17 3/4 x 13 3/8 in.)Gift of The Print Club of ClevelandCCCC0
St. Jerome in His Study
Filippino Lippi (Italian, 1457-1504)
1924.532Pen and brown ink over traces of black chalk(?), with brush and brown wash, heightened with lead white; prickedSheet: 24 x 20.8 cm (9 7/16 x 8 3/16 in.); Secondary Support: 24.2 x 20.8 cm (9 1/2 x 8 3/16 in.)Gift of Leonard C. Hanna, Jr.CCCC0
The Risen Christ Adored by Saints and Angels
Giorgio Vasari (Italian, 1511-1574)
1991.43Black chalk, pen and brown ink, and extensive white heightening (wash and point of brush), with incising on paper prepared with a brown wash.Sheet: 41.9 x 26.5 cm (16 1/2 x 10 7/16 in.)John L. Severance FundCCCC0
The Nativity with the Dream of Joseph
Parmigianino (Italian, 1503-1540)
1924.1003Pen and brown and black ink and brush and brown wash, with traces of brush and black wash, heightened with lead white (oxidized)Sheet: 8.6 x 7.5 cm (3 3/8 x 2 15/16 in.); Secondary Support: 14.9 x 13.4 cm (5 7/8 x 5 1/4 in.)Dudley P. Allen FundCCCC0
The Meeting of Orestes and Hermione
Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824)
1989.101Pen and brown and black ink, point of brush and brown and gray wash, with black chalk and graphite, heightened with white gouache on cream wove paperSheet: 28.5 x 21.8 cm (11 1/4 x 8 9/16 in.); Image: 26.2 x 20 cm (10 5/16 x 7 7/8 in.)Leonard C. Hanna, Jr. FundCCCC0
Punchinello Arrested
Giovanni Domenico Tiepolo (Italian, 1727-1804)
1937.570Pen and brown ink and brush and brown wash, with black chalk; framing lines in brown ink over graphiteSheet: 35.1 x 46.7 cm (13 13/16 x 18 3/8 in.); Image: 29.3 x 41.3 cm (11 9/16 x 16 1/4 in.)Purchase from the J. H. Wade FundCCCC0
Copy of Tintoretto's Children of Israel Gathering Manna
copy after Jacopo Tintoretto (Italian, 1518-1594)
1929.534Pen and brown ink and brush and brown wash, with brush and red (chalk?) wash and blue gouache, heightened with white gouacheSheet: 31.6 x 44.2 cm (12 7/16 x 17 3/8 in.); Secondary Support: 33.5 x 47.1 cm (13 3/16 x 18 9/16 in.)Dudley P. Allen FundCCCC0
Design for a Ciborium
Fantoni Family Workshop (Italian)
1925.1189Pen and brown ink (iron gall) and brush and brown wash, with graphiteSheet: 27.8 x 20.5 cm (10 15/16 x 8 1/16 in.); Secondary Support: 27.8 x 20.5 cm (10 15/16 x 8 1/16 in.)Dudley P. Allen FundCCCC0
Saint Christopher
Andrea Mantegna (Italian, 1431-1506)
1956.39Pen and brown ink and blue gouache with brush and green wash and traces of orange gouache, heightened with white gouacheSheet: 28.6 x 17.4 cm (11 1/4 x 6 7/8 in.); Secondary Support: 28.7 x 17.6 cm (11 5/16 x 6 15/16 in.)Dudley P. Allen FundCCCC0
The Last Communion of St. Jerome
Giovanni Battista Tiepolo (Italian, 1696-1770)
1950.449Pen and brown ink and brush and brown wash over traces of black chalk heightened with lead whiteSheet: 55.2 x 40.8 cm (21 3/4 x 16 1/16 in.); Secondary Support: 55.2 x 40.8 cm (21 3/4 x 16 1/16 in.)Gift of Edward B. GreeneCCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570-1596)
1946.216Pen and brown ink and brush and brown wash, with brush and gray wash, over black chalk, heightened with white gouache; framing lines in green ink and red chalk (bottom)Sheet: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.); Secondary Support: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.)Dudley P. Allen FundCCCC0
Copy after Giulio Romano's Fall of Icarus
after Giulio Romano (Italian, 1492/99-1546)
1992.90Pen and brown ink and brush and brown wash over red chalk, heightened with lead whiteSheet: 39.8 x 29.3 cm (15 11/16 x 11 9/16 in.); Secondary Support: 41.9 x 31.6 cm (16 1/2 x 12 7/16 in.)Seventy-fifth anniversary gift of Robert A. Frary in memory of I. T. FraryCCCC0
Interior of a Cathedral
Samuel Prout (British, 1783-1852)
1940.560Gray and brown wash with point of brush and pen and brown ink with watercolor heightened with gouacheSheet: 43.3 x 30 cm (17 1/16 x 11 13/16 in.)Bequest of James ParmeleeCCCC0
Landscape with Clump of Trees
Italy, Bologna, 17th century
1947.347Pen and brown ink, with brush and brown wash(?)Sheet: 27.7 x 20.5 cm (10 7/8 x 8 1/16 in.); Secondary Support: 30.5 x 23.3 cm (12 x 9 3/16 in.)The Mary Spedding Milliken Memorial Collection, Gift of William Mathewson MillikenCCCC0
Architectural Conference
Italy, 17th century
1954.713Pen and brown ink and brush and brown wash with graphite; framing lines in brown inkSheet: 45.3 x 35.2 cm (17 13/16 x 13 7/8 in.); Image: 44.2 x 34.1 cm (17 3/8 x 13 7/16 in.)Dudley P. Allen FundCCCC0
Monumental Vaulted Hall with Staircase
Giuseppe Galli Bibiena (Italian, 1696-1757)
1962.114Pen and brown ink and brush and gray wash, with brush and brown wash and traces of yellow gouache; framing lines in brown inkSheet: 31.6 x 45 cm (12 7/16 x 17 11/16 in.); Image: 31 x 44.4 cm (12 3/16 x 17 1/2 in.)Delia E. Holden FundCCCC0
Madonna and Child with Saints
after Giuseppe Bazzani (Italian, 1690-1769)
1960.72Pen and brown ink and brush and gray wash, with traces of black chalk and brush and brown washSheet: 29.2 x 39.3 cm (11 1/2 x 15 1/2 in.)James Parmelee FundCCCC0
Copy after Primaticcio's Juno Awakening Sleep
copy after Francesco Primaticcio (Italian, 1504-1570)
1929.537Pen and black ink (with point of brush?) and brush and red-brown wash (red chalk wash?), heightened with lead white (partially oxidized); framing lines in brown ink with traces of gold paintSheet: 22.3 x 33.5 cm (8 3/4 x 13 3/16 in.); Secondary Support: 33.5 x 45.7 cm (13 3/16 x 18 in.)Dudley P. Allen FundCCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593-1678)
1954.366Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache, framing lines in red chalk and graphite (right edge)Sheet: 32.9 x 19.9 cm (12 15/16 x 7 13/16 in.)Delia E. Holden and L. E. Holden FundsCCCC0
View of Alkmaar with Boats
Netherlands, 17th century
1929.538Point of brush and gray ink and brush and gray wash with traces of pen and black ink over traces of graphite; framing lines in brown inkSheet: 13.8 x 20.4 cm (5 7/16 x 8 1/16 in.)Dudley P. Allen FundCCCC0
Flagellation of Christ
Gaspare Diziani (Italian, 1689-1767)
1960.179Pen and black ink, black chalk, and brush and gray wash, with brush and brown wash; squared in graphite, framing lines in black chalk and black inkSheet: 20 x 27.1 cm (7 7/8 x 10 11/16 in.); Image: 19.5 x 26.1 cm (7 11/16 x 10 1/4 in.)James Parmelee FundCCCC0
Elevation for Wall Decoration
Italy, 16th century
1927.363Pen and brown ink (ruled in places) and brush and brown wash with graphite and graphite wash; framing lines in brown ink and graphiteSheet: 35.5 x 22.8 cm (14 x 9 in.); Image: 35.3 x 22.5 cm (13 7/8 x 8 7/8 in.)Gift of The Print Club of ClevelandCCCC0
The Stag Hunt
Giovanni Domenico Tiepolo (Italian, 1727-1804)
1981.36Pen and brown ink and brush and brown wash, with black chalk; framing lines in brown ink and graphiteSheet: 35.7 x 47.1 cm (14 1/16 x 18 9/16 in.); Image: 29.7 x 41.4 cm (11 11/16 x 16 5/16 in.)Gift in memory of Paul Wick from his familyCCCC0
Virgin and Child with St. Catherine of Alexandria and Saint Anne (?)
Battista Franco (Italian, c. 1510-1561)
1965.16Pen and brown ink and brush and brown wash with red chalk underdrawing, heightened with white gouache (partially tarnished); pricked (lower part of Virgin)Sheet: 26.1 x 26.2 cm (10 1/4 x 10 5/16 in.)Delia E. Holden FundCCCC0
The Tric-Trac Players
Philips de Koninck (Dutch, 1619-1688)
1958.373Reed pen and brown ink (with brush and brown wash behind left figure); framing lines in brown inkSheet: 18.8 x 16.7 cm (7 3/8 x 6 9/16 in.)Gift of Dr. Sherman E. Lee in memory of his father, Emery H. I. LeeCCCC0
Maternal Solicitude
Jean Baptiste Le Prince (French, 1734-1781)
1953.609Pen and black ink and brush and brown wash over graphite, with traces of white gouache; framing lines in black inkSheet: 13.3 x 18.3 cm (5 1/4 x 7 3/16 in.); Secondary Support: 20 x 25.2 cm (7 7/8 x 9 15/16 in.)Gift of William Mathewson Milliken, in memory of H. Oothout MillikenCCCC0
François I Brandishing a Sword
Alexandre-Evariste Fragonard (French, 1781-1850)
2019.254Pen and brown ink and brush and brown wash with graphite underdrawing and white and yellow gouache heightening on wove paperSheet: 16.9 x 12.2 cm (6 5/8 x 4 13/16 in.)Bequest of Muriel ButkinCCCC0
Design for Two Vases and an Ornament (recto); Sketches of Five Arms and...
Luzio Romano (Italian, active 1528-75)
1925.1190Pen and brown ink and brush and brown wash, with brush and gray wash (left vase), over black chalkSheet: 31.6 x 21.6 cm (12 7/16 x 8 1/2 in.)Dudley P. Allen FundCCCC0
Floral Design with Dog and Insects
Giacomo Cavenezia (Italian)
1952.290Pen and brown ink, brush and brown and gray wash, watercolor, with gouacheSheet: 32.8 x 22.8 cm (12 15/16 x 9 in.)Dudley P. Allen FundCCCC0
Romulus and Remus Found by Faustulus (recto) Concentric Circles (verso)
Romanino (Italian, 1484/87-1562)
1963.87Pen and brown ink, with point of brush and brown wash over black chalk (traces of red chalk and purple wash unrelated to composition)Sheet: 16.3 x 24.8 cm (6 7/16 x 9 3/4 in.); Secondary Support: 23.6 x 31 cm (9 5/16 x 12 3/16 in.)Dudley P. Allen FundCCCC0
Boar Hunt
Abraham Hondius (Dutch, c. 1625-1695)
1960.157Pen and black ink and brush and black and gray wash heightened with lead white (partially oxidized); framing lines in black and brown inkSheet: 41.9 x 52.5 cm (16 1/2 x 20 11/16 in.); Secondary Support: 41.9 x 52.5 cm (16 1/2 x 20 11/16 in.)Delia E. Holden FundCCCC0
Detail of Martyrdom of Saint John the Evangelist, after Callot
Stefano Della Bella (Italian, 1610-1664)
1958.430Pen and brown ink with brush and brown wash over black chalk (upper portion of soldier's armor)Sheet: 12.8 x 18.6 cm (5 1/16 x 7 5/16 in.)James Parmelee FundCCCC0
Bacchanal
circle of Pietro da Cortona (Italian, 1596-1669)
1954.688Pen and brown ink and brush and brown wash over black chalk, heightened with white gouache; incised, framing lines in brown ink over traces of black chalkSheet: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.); Image: 25.4 x 42.7 cm (10 x 16 13/16 in.); Secondary Support: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.)The Norweb CollectionCCCC0
The Entombment
Giovanni de' Vecchi (Italian, 1536-1615)
2017.5Pen and brown ink, brush and purple-pink wash with admixtures of white, and brush and brown wash, with graphite underdrawing; squared for transfer with graphiteSheet: 20.2 x 14.7 cm (7 15/16 x 5 13/16 in.); Secondary Support: 25.7 x 21.3 cm (10 1/8 x 8 3/8 in.)Purchase from the J. H. Wade FundCCCC0
A View of Spa
Jan Brueghel (Flemish, 1568-1625)
1979.26Pen and brown ink and brush and brown and gray wash, with blue and green watercolor and red chalk wash; framing lines in brown inkSheet: 20.5 x 14.8 cm (8 1/16 x 5 13/16 in.)Andrew R. and Martha Holden Jennings FundCCCC0
Madonna and Child with Angels
Aurelio Luini (Italian, 1530-1593)
1988.107Pen and brown ink and brush and brown wash over black chalk (extended with brush and water in places); prickedSheet: 23.9 x 18.7 cm (9 7/16 x 7 3/8 in.)Edwin R. and Harriet Pelton Perkins Memorial FundCCCC0
Assumption of the Virgin
Italy, 17th century
1954.683Pen and brown ink and brush and brown wash over red chalk, heightened with white gouache; incisedSheet: 36.7 x 28.4 cm (14 7/16 x 11 3/16 in.); Secondary Support: 36.7 x 28.4 cm (14 7/16 x 11 3/16 in.)The Norweb CollectionCCCC0
A Barnyard with Goats and a Goatherd
Abraham Bloemaert (Dutch, 1564-1651)
1980.49Pen and brown ink, brush and brown wash over black chalk, heightened with white gouache; framing lines in brown inkSheet: 9.2 x 15.3 cm (3 5/8 x 6 in.)Dudley P. Allen FundCCCC0
Copy of Raphael's Massacre of the Innocents
follower of Raphael (Italian, 1483-1520)
1988.28Pen and brown ink (iron gall) and brush and brown wash, heightened with traces of lead white(?) (oxidized); framing lines in brown inkSheet: 22.8 x 30.1 cm (9 x 11 7/8 in.); Secondary Support: 23.9 x 30.5 cm (9 7/16 x 12 in.)John L. Severance FundCCCC0
Five Equestrian Studies: Cavalrymen
Auguste Raffet (French, 1804-1860)
1956.601Pen and brown ink and brush and brown wash over graphite, with red chalk washSheet: 23.5 x 30.5 cm (9 1/4 x 12 in.)Gift of Alida di Nardo in memory of her husband, Antonio di NardoCCCC0
Allegory
Charles Abraham Chasselat (French, 1782-1843)
1982.366Pen and black ink and brush and brown wash, heightened with white gouache; framing lines in black inkSheet: 15.3 x 9.7 cm (6 x 3 13/16 in.); Image: 14.3 x 9.1 cm (5 5/8 x 3 9/16 in.)Gift of Henry H. HawleyCCCC0
Illustration from Torquato Tasso's Gerusalemme Liberata
Bernardo Castello (Italian, 1557-1629)
1954.692Pen and brown ink and brush and brown wash with traces of graphite; framing lines in brown inkSheet: 21.3 x 20.5 cm (8 3/8 x 8 1/16 in.); Secondary Support: 21.3 x 20.5 cm (8 3/8 x 8 1/16 in.)The Norweb CollectionCCCC0
Design for a Monstrance
Anonymous
1971.33Pen and brown ink (ruled in places) and brush and brown wash, with graphite, traces of brush and gray and pink wash, and stylus; framing lines in graphiteSheet: 76.6 x 43 cm (30 3/16 x 16 15/16 in.)Delia E. Holden FundCCCC0
Ruth and Boaz (recto) The Fall of Simon Magus (verso)
Italy, 17th century
1954.684Pen and brown ink and brush and brown wash over black chalk, heightened with lead whiteSheet: 30.2 x 27.7 cm (11 7/8 x 10 7/8 in.)The Norweb CollectionCCCC0
Landscape with Sheep and Two Shepherds
Thomas Barker (British, 1769-1847)
1954.701Pen and brown ink and brush and brown wash with graphite; squared in graphiteSheet: 24.1 x 30.9 cm (9 1/2 x 12 3/16 in.)The Norweb CollectionCCCC0
Rape of the Sabines
France, 18th century
1954.678Pen and brown ink and brush and brown wash, with traces of black chalk?Sheet: 28.1 x 51.6 cm (11 1/16 x 20 5/16 in.)The Norweb CollectionCCCC0
View of Lake Nemi (recto) Small Group of Roman Ruins (verso)
Italy, 17th century
1955.159Pen and brown ink with brush and blue wash (discolored to green in places) (trace of red chalk unrelated to composition)Sheet: 16.7 x 26 cm (6 9/16 x 10 1/4 in.)John L. Severance FundCCCC0
Mountain Landscape with Figures
Anton Mirou (Flemish, bef 1586-aft 1661)
1954.707Pen and brown ink and brush and gray wash with blue and green watercolor, over traces of black chalk, with white paintImage: 20.8 x 32.2 cm (8 3/16 x 12 11/16 in.)The Norweb CollectionCCCC0
Christ Administering the Host
Anonymous
1963.246Red chalk with pen and brown ink, brush and gray and red chalk wash, over stylusSheet: 39.7 x 27.4 cm (15 5/8 x 10 13/16 in.); Secondary Support: 39.9 x 27.7 cm (15 11/16 x 10 7/8 in.)Dudley P. Allen FundCCCC0
Ships at Sea
Ludolf Backhuysen (Dutch, 1631-1708)
1954.702Pen and brown ink and brush and gray and brown wash, with brush and grey ink; framing lines in brown inkSheet: 12.3 x 17.1 cm (4 13/16 x 6 3/4 in.)The Norweb CollectionCCCC0
Christ in Glory with Two Saints
Marcantonio Bassetti (Italian, 1586-1630)
1939.657Pen and brown ink and brush and brown wash with graphiteSheet: 25.5 x 16.6 cm (10 1/16 x 6 9/16 in.); Secondary Support: 25.5 x 16.6 cm (10 1/16 x 6 9/16 in.)Gift of Robert Hays GriesCCCC0
Bust of Diana with Putti and Hunting Attributes
Jacob de Wit (Dutch, 1695-1754)
1979.124Pen and brown ink and brush and brown wash over black chalk, heightened with white; framing lines in black and brown ink over graphiteSheet: 29.2 x 15.3 cm (11 1/2 x 6 in.)Gift of Steve AlbertCCCC0
Roman Subject
attributed to Philibert Benoît Delarue (French, 1718-1780)
1939.656Pen and black ink and brush and brown wash over black chalk, heightened with white gouache; framing lines in brown inkSheet: 24.2 x 36.3 cm (9 1/2 x 14 5/16 in.); Secondary Support: 24.2 x 36.3 cm (9 1/2 x 14 5/16 in.)Gift of Robert Hays GriesCCCC0
A Standing Woman Holding a Child, a Seated Male at her Feet
Alessandro Magnasco (Italian, 1667-1749)
1950.318Pen and brown ink with brush and brown wash over red chalkSheet: 19.2 x 22.9 cm (7 9/16 x 9 in.)Gift of Alessandro Brass in memory of Mary Spedding MillikenCCCC0
Eighteen Views of Rome: The Piazza Barberini (recto); Tracing of a...
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.265Pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite (along bottom edge); sketch unrelated to main composition in graphite (upper right)Sheet: 38.3 x 49.7 cm (15 1/16 x 19 9/16 in.)Dudley P. Allen FundCCCC0
Three Studies of a Woman Wearing an Elaborate Headdress
Anonymous and 1 other
1987.31Pen and brown ink (Anonymous, Netherlandish, 16th century); pen and brown ink and brush and brown wash, heightened with lead white (partially oxidized) (Rubens)Sheet: 12.9 x 12.8 cm (5 1/16 x 5 1/16 in.)John L. Severance FundCCCC0
Venus Disarming Mars, Drapery Study (verso)
Peter Paul Rubens (Flemish, 1577-1640)
1970.37.bPen and brown ink and brush and brown wash (right half); black chalk, with stumping (left half)Sheet: 19.9 x 49.2 cm (7 13/16 x 19 3/8 in.)Purchase from the J. H. Wade FundCCCC0
Perseus and Minerva before a Temple
Jan Goeree (Dutch, 1670-1731)
1998.152Pen and brown ink, brush and brown and gray wash, over traces of red chalk, heightened with white gouache; framing lines in brown inkSheet: 21.4 x 15.8 cm (8 7/16 x 6 1/4 in.); Secondary Support: 25.5 x 19.7 cm (10 1/16 x 7 3/4 in.)John L. Severance FundCCCC0
View of the Castle Gnandstein
Adrian Zingg (Swiss, 1734-1816)
2015.76Grey wash and black ink (applied with pen and point-of-brush) with brown ink and traces of graphite underdrawingSheet: 38.5 x 52.3 cm (15 3/16 x 20 9/16 in.); Mounted: 47.2 x 63.2 cm (18 9/16 x 24 7/8 in.)Alma Kroeger FundCCCC0
The Visitation
Mario Toppi (Italian)
1953.648Watercolor, brush and brown and gray wash, and pen and black ink, with gouache and gold paint, over graphite underdrawingSheet: 41.2 x 50.4 cm (16 1/4 x 19 13/16 in.)The Mary Spedding Milliken Memorial Collection, Gift of William Mathewson Milliken©