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Medium: Pen and brown ink, brush and brown wash, with traces of black chalk (14)
Medium: Pen and brown ink, brush and brown wash, with traces of black chalk (14)
A Lady with Three Suitors
France, 16th century
1956.40CCCC0
Piazza San Marco, Venice
Francesco Guardi (Italian, 1712–1793)
1951.83CCCC0
Standing Officer Holding a Boar's Spear
Hendrick Goltzius (Dutch, 1558–1617)
1994.195CCCC0
The Funeral of Saint Stephen
Filippo Lippi (Italian, c. 1406–1469)
1947.70CCCC0
Madonna Nursing the Christ Child
Bartolomé Esteban Murillo (Spanish, 1617–1682)
1968.66CCCC0
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528–1612)
1960.26CCCC0
The Last Communion of St. Jerome
Giovanni Battista Tiepolo (Italian, 1696–1770)
1950.449CCCC0
St. Jerome in His Study
Filippino Lippi (Italian, 1457–1504)
1924.532CCCC0
Madonna and Child with Saints
Giuseppe Bazzani (Italian, 1690–1769)
1960.72CCCC0
Romulus and Remus Found by Faustulus (recto)
Romanino (Italian, 1484/87–1562)
1963.87.aCCCC0
Copy after Primaticcio's Juno Awakening Sleep
Francesco Primaticcio (Italian, 1504–1570)
1929.537CCCC0
Bacchanal
Pietro da Cortona (Italian, 1596–1669)
1954.688CCCC0
Rape of the Sabines
France, 18th century
1954.678CCCC0
Mountain Landscape with Figures
Anton Mirou (Flemish, before 1586–after 1661)
1954.707CCCC0
Title, DateArtist / CultureAccession numberMediumDimensionsCredit lineRights
A Lady with Three Suitors
France, 16th century
1956.40pen and brown ink, brush and brown wash, with traces of black chalkSheet: 23 x 19.3 cm (9 1/16 x 7 5/8 in.)John L. Severance FundCCCC0
Piazza San Marco, Venice
Francesco Guardi (Italian, 1712–1793)
1951.83pen and brown ink, brush and brown wash, with brush and gray wash (possibly chalk) and traces of black chalk, framing lines in brown and black inkSheet: 31.3 x 46.5 cm (12 5/16 x 18 5/16 in.)John L. Severance FundCCCC0
Standing Officer Holding a Boar's Spear
Hendrick Goltzius (Dutch, 1558–1617)
1994.195Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transferSheet: 20.6 x 15.6 cm (8 1/8 x 6 1/8 in.)Leonard C. Hanna, Jr. FundCCCC0
The Funeral of Saint Stephen
Filippo Lippi (Italian, c. 1406–1469)
1947.70pen and brown ink with brush and brown wash with traces of stylus over traces of black chalkSheet: 24.9 x 19.3 cm (9 13/16 x 7 5/8 in.); Secondary Support: 24.9 x 19.3 cm (9 13/16 x 7 5/8 in.)John L. Severance FundCCCC0
Madonna Nursing the Christ Child
Bartolomé Esteban Murillo (Spanish, 1617–1682)
1968.66pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown inkSheet: 21.4 x 15.4 cm (8 7/16 x 6 1/16 in.); Secondary Support: 24.1 x 18.5 cm (9 1/2 x 7 5/16 in.)Mr. and Mrs. Charles G. Prasse CollectionCCCC0
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528–1612)
1960.26Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown inkSheet: 27.7 x 42.6 cm (10 7/8 x 16 3/4 in.)L. E. Holden FundCCCC0
The Last Communion of St. Jerome
Giovanni Battista Tiepolo (Italian, 1696–1770)
1950.449pen and brown ink and brush and brown wash over traces of black chalk heightened with lead whiteSheet: 55.2 x 40.8 cm (21 3/4 x 16 1/16 in.); Secondary Support: 55.2 x 40.8 cm (21 3/4 x 16 1/16 in.)Gift of Edward B. GreeneCCCC0
St. Jerome in His Study
Filippino Lippi (Italian, 1457–1504)
1924.532pen and brown ink over traces of black chalk(?), with brush and brown wash, heightened with lead white; prickedSheet: 24 x 20.8 cm (9 7/16 x 8 3/16 in.); Secondary Support: 24.2 x 20.8 cm (9 1/2 x 8 3/16 in.)Gift of Leonard C. Hanna, Jr.CCCC0
Madonna and Child with Saints
Giuseppe Bazzani (Italian, 1690–1769)
1960.72pen and brown ink and brush and gray wash, with traces of black chalk and brush and brown washSheet: 29.2 x 39.3 cm (11 1/2 x 15 1/2 in.)James Parmelee FundCCCC0
Romulus and Remus Found by Faustulus (recto) Concentric Circles (verso)
Romanino (Italian, 1484/87–1562)
1963.87pen and brown ink, with point of brush and brown wash over black chalk (traces of red chalk and purple wash unrelated to composition)Sheet: 16.3 x 24.8 cm (6 7/16 x 9 3/4 in.); Secondary Support: 23.6 x 31 cm (9 5/16 x 12 3/16 in.)Dudley P. Allen FundCCCC0
Copy after Primaticcio's Juno Awakening Sleep
Francesco Primaticcio (Italian, 1504–1570)
1929.537pen and black ink (with point of brush?) and brush and red-brown wash (red chalk wash?), heightened with lead white (partially oxidized); framing lines in brown ink with traces of gold paintSheet: 22.3 x 33.5 cm (8 3/4 x 13 3/16 in.); Secondary Support: 33.5 x 45.7 cm (13 3/16 x 18 in.)Dudley P. Allen FundCCCC0
Bacchanal
Pietro da Cortona (Italian, 1596–1669)
1954.688pen and brown ink and brush and brown wash over black chalk, heightened with white gouache; incised, framing lines in brown ink over traces of black chalkSheet: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.); Image: 25.4 x 42.7 cm (10 x 16 13/16 in.); Secondary Support: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.)The Norweb CollectionCCCC0
Rape of the Sabines
France, 18th century
1954.678pen and brown ink and brush and brown wash, with traces of black chalk?Sheet: 28.1 x 51.6 cm (11 1/16 x 20 5/16 in.)The Norweb CollectionCCCC0
Mountain Landscape with Figures
Anton Mirou (Flemish, before 1586–after 1661)
1954.707pen and brown ink and brush and gray wash with blue and green watercolor, over traces of black chalk, with white paintImage: 20.8 x 32.2 cm (8 3/16 x 12 11/16 in.)The Norweb CollectionCCCC0