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Medium: Pen and brown ink, wash, and red chalk (28)
Medium: Pen and brown ink, wash, and red chalk (28)
Venus and Cupid in a Chariot
Guercino (Italian, 1591–1666)
1925.1188CCCC0
The Departure of Jacob
François Boucher (French, 1703–1770)
1981.58CCCC0
Saint Deicolus and the Boar
Johann Wolfgang Baumgartner (German, 1712–1761)
1967.22CCCC0
Madonna Nursing the Christ Child
Bartolomé Esteban Murillo (Spanish, 1617–1682)
1968.66CCCC0
Standing Officer Holding a Boar's Spear
Hendrick Goltzius (Dutch, 1558–1617)
1994.195CCCC0
Peasant's Cottage (recto); Bridge and Gate (verso)
Abraham Bloemaert (Dutch, 1564–1651)
1940.737CCCC0
The Disrobing of Christ
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1999.5CCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366CCCC0
Justice
Giulio Romano (Italian, 1492/99–1546)
2021.1CCCC0
Copy after Giulio Romano's Fall of Icarus
Giulio Romano (Italian, 1492/99–1546)
1992.90CCCC0
Sheet of Satirical Studies (Amorini Riding Phalli)
Salvator Rosa (Italian, 1615–1673)
2009.154CCCC0
Angel Appearing to Zacharias
Samuel van Hoogstraten (Dutch, 1627–1678)
1929.12CCCC0
Venus at the Forge of Vulcan
Louis Félix de La Rue (French, 1731–1777)
2017.212CCCC0
Copy of Tintoretto's Children of Israel Gathering Manna
Jacopo Tintoretto (Italian, 1518–1594)
1929.534CCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216CCCC0
Virgin and Child with St. Catherine of Alexandria and Saint Anne (?)
Battista Franco (Italian, c. 1510–1561)
1965.16CCCC0
Copy after Primaticcio's Juno Awakening Sleep
Francesco Primaticcio (Italian, 1504–1570)
1929.537CCCC0
Assumption of the Virgin
Italy, 17th century
1954.683CCCC0
The Baptism of Christ
Cesare Pollini (Italian, c. 1560-c. 1630)
1988.80CCCC0
Five Equestrian Studies: Cavalrymen
Auguste Raffet (French, 1804–1860)
1956.601CCCC0
A View of Spa
Jan Brueghel (Flemish, 1568–1625)
1979.26CCCC0
Perseus and Minerva before a Temple
Jan Goeree (Dutch, 1670–1731)
1998.152CCCC0
Title, DateArtist / CultureAccession numberMediumDimensionsCredit lineRights
Venus and Cupid in a Chariot
Guercino (Italian, 1591–1666)
1925.1188Pen and brown ink and brush and brown wash over red chalkSheet: 25.5 x 39.4 cm (10 1/16 x 15 1/2 in.)Dudley P. Allen FundCCCC0
The Departure of Jacob
François Boucher (French, 1703–1770)
1981.58Pen and brown-black ink, brown ink wash, and red chalk wash, with black chalk on cream laid paperSheet: 34.8 x 23.1 cm (13 11/16 x 9 1/8 in.)Delia E. Holden and L. E. Holden FundsCCCC0
Saint Deicolus and the Boar
Johann Wolfgang Baumgartner (German, 1712–1761)
1967.22pen and brown and gray ink and brush and gray wash heightened with white gouache; incised, verso coated with red chalkSheet: 52.2 x 73.5 cm (20 9/16 x 28 15/16 in.)Dudley P. Allen FundCCCC0
Madonna Nursing the Christ Child
Bartolomé Esteban Murillo (Spanish, 1617–1682)
1968.66pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown inkSheet: 21.4 x 15.4 cm (8 7/16 x 6 1/16 in.); Secondary Support: 24.1 x 18.5 cm (9 1/2 x 7 5/16 in.)Mr. and Mrs. Charles G. Prasse CollectionCCCC0
Standing Officer Holding a Boar's Spear
Hendrick Goltzius (Dutch, 1558–1617)
1994.195Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transferSheet: 20.6 x 15.6 cm (8 1/8 x 6 1/8 in.)Leonard C. Hanna, Jr. FundCCCC0
Peasant's Cottage (recto); Bridge and Gate (verso)
Abraham Bloemaert (Dutch, 1564–1651)
1940.737pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalkSheet: 17.2 x 27.2 cm (6 3/4 x 10 11/16 in.)Bequest of James ParmeleeCCCC0
The Disrobing of Christ
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1999.5pen and brown and black ink, brush and black, brown, and red-brown wash, over black chalk; framing lines in pen and brown inkSheet: 47.9 x 38.2 cm (18 7/8 x 15 1/16 in.); Image: 46.1 x 36.2 cm (18 1/8 x 14 1/4 in.)Purchase from the J. H. Wade FundCCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge)Sheet: 32.9 x 19.9 cm (12 15/16 x 7 13/16 in.)Delia E. Holden and L. E. Holden FundsCCCC0
Justice
Giulio Romano (Italian, 1492/99–1546)
2021.1pen and brown ink and wash within brown ink and red chalk framing linesSheet: 18 x 9.8 cm (7 1/16 x 3 7/8 in.)Mr. and Mrs. William H. Marlatt FundCCCC0
Copy after Giulio Romano's Fall of Icarus
Giulio Romano (Italian, 1492/99–1546)
1992.90pen and brown ink and brush and brown wash over red chalk, heightened with lead whiteSheet: 39.8 x 29.3 cm (15 11/16 x 11 9/16 in.); Secondary Support: 41.9 x 31.6 cm (16 1/2 x 12 7/16 in.)Seventy-fifth anniversary gift of Robert A. Frary in memory of I. T. FraryCCCC0
Sheet of Satirical Studies (Amorini Riding Phalli)
Salvator Rosa (Italian, 1615–1673)
2009.154Pen and brown ink, wash, and red chalk Sheet: 14 x 36.7 cm (5 1/2 x 14 7/16 in.)Gift of Joseph F. McCrindleCCCC0
Christ Administering the Host
Anonymous
1963.246red chalk with pen and brown ink, brush and gray and red chalk wash, over stylusSheet: 39.7 x 27.4 cm (15 5/8 x 10 13/16 in.); Secondary Support: 39.9 x 27.7 cm (15 11/16 x 10 7/8 in.)Dudley P. Allen FundCCCC0
Angel Appearing to Zacharias
Samuel van Hoogstraten (Dutch, 1627–1678)
1929.12reed pen and brown and black ink and brush and brown, gray and red wash, over black chalkSheet: 17.1 x 15.5 cm (6 3/4 x 6 1/8 in.)The Charles W. Harkness Endowment FundCCCC0
Venus at the Forge of Vulcan
Louis Félix de La Rue (French, 1731–1777)
2017.212Pen and brown ink, and brown wash (bistre) with red chalk and traces of graphiteSheet: 19.6 x 32.2 cm (7 11/16 x 12 11/16 in.); Overall: 19.9 x 32.6 cm (7 13/16 x 12 13/16 in.)Bequest of Muriel ButkinCCCC0
Romulus and Remus Found by Faustulus (recto) Concentric Circles (verso)
Romanino (Italian, 1484/87–1562)
1963.87pen and brown ink, with point of brush and brown wash over black chalk (traces of red chalk and purple wash unrelated to composition)Sheet: 16.3 x 24.8 cm (6 7/16 x 9 3/4 in.); Secondary Support: 23.6 x 31 cm (9 5/16 x 12 3/16 in.)Dudley P. Allen FundCCCC0
Copy of Tintoretto's Children of Israel Gathering Manna
Jacopo Tintoretto (Italian, 1518–1594)
1929.534pen and brown ink and brush and brown wash, with brush and red (chalk?) wash and blue gouache, heightened with white gouacheSheet: 31.6 x 44.2 cm (12 7/16 x 17 3/8 in.); Secondary Support: 33.5 x 47.1 cm (13 3/16 x 18 9/16 in.)Dudley P. Allen FundCCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216pen and brown ink and brush and brown wash, with brush and gray wash, over black chalk, heightened with white gouache; framing lines in green ink and red chalk (bottom)Sheet: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.); Secondary Support: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.)Dudley P. Allen FundCCCC0
Virgin and Child with St. Catherine of Alexandria and Saint Anne (?)
Battista Franco (Italian, c. 1510–1561)
1965.16pen and brown ink and brush and brown wash with red chalk underdrawing, heightened with white gouache (partially tarnished); pricked (lower part of Virgin)Sheet: 26.1 x 26.2 cm (10 1/4 x 10 5/16 in.)Delia E. Holden FundCCCC0
Copy after Primaticcio's Juno Awakening Sleep
Francesco Primaticcio (Italian, 1504–1570)
1929.537pen and black ink (with point of brush?) and brush and red-brown wash (red chalk wash?), heightened with lead white (partially oxidized); framing lines in brown ink with traces of gold paintSheet: 22.3 x 33.5 cm (8 3/4 x 13 3/16 in.); Secondary Support: 33.5 x 45.7 cm (13 3/16 x 18 in.)Dudley P. Allen FundCCCC0
Assumption of the Virgin
Italy, 17th century
1954.683pen and brown ink and brush and brown wash over red chalk, heightened with white gouache; incisedSheet: 36.7 x 28.4 cm (14 7/16 x 11 3/16 in.); Secondary Support: 36.7 x 28.4 cm (14 7/16 x 11 3/16 in.)The Norweb CollectionCCCC0
The Baptism of Christ
Cesare Pollini (Italian, c. 1560-c. 1630)
1988.80pen and brown ink and brush and brown wash and red chalk; traces of framing lines in black chalkSheet: 11.5 x 19.6 cm (4 1/2 x 7 11/16 in.); Secondary Support: 11.5 x 19.6 cm (4 1/2 x 7 11/16 in.)John L. Severance FundCCCC0
Five Equestrian Studies: Cavalrymen
Auguste Raffet (French, 1804–1860)
1956.601pen and brown ink and brush and brown wash over graphite, with red chalk washSheet: 23.5 x 30.5 cm (9 1/4 x 12 in.)Gift of Alida di Nardo in memory of her husband, Antonio di NardoCCCC0
A View of Spa
Jan Brueghel (Flemish, 1568–1625)
1979.26pen and brown ink and brush and brown and gray wash, with blue and green watercolor and red chalk wash; framing lines in pen and brown inkSheet: 20.5 x 14.8 cm (8 1/16 x 5 13/16 in.)Andrew R. and Martha Holden Jennings FundCCCC0
Portrait of a Man, said to be the Sculptor Clodion (1738–1814)
Unknown
2018.51Black chalk with stumping and red and blue chalks; frame details in pen and brown ink and blue washesDiameter: 13.7 cm (5 3/8 in.); height: 13.9 cm (5 1/2 in.)Bequest of Muriel ButkinCCCC0
A Standing Woman Holding a Child, a Seated Male at her Feet
Alessandro Magnasco (Italian, 1667–1749)
1950.318pen and brown ink with brush and brown wash over red chalkSheet: 19.2 x 22.9 cm (7 9/16 x 9 in.)Gift of Alessandro Brass in memory of Mary Spedding MillikenCCCC0
View of Lake Nemi (recto) Small Group of Roman Ruins (verso)
Italy, 17th century
1955.159pen and brown ink with brush and blue wash (discolored to green in places) (trace of red chalk unrelated to composition)Sheet: 16.7 x 26 cm (6 9/16 x 10 1/4 in.)John L. Severance FundCCCC0
Perseus and Minerva before a Temple
Jan Goeree (Dutch, 1670–1731)
1998.152pen and brown ink, brush and brown and gray wash, over traces of red chalk, heightened with white gouache; framing lines in brown inkSheet: 21.4 x 15.8 cm (8 7/16 x 6 1/4 in.); Secondary Support: 25.5 x 19.7 cm (10 1/16 x 7 3/4 in.)John L. Severance FundCCCC0
Un Hebreo, from Christ Shown to the People (recto); Design for a Wall...
Frederico Zuccaro (Italian, 1540/1–1609) and 1 other
2015.13Brown wash with outlining in pen and brown ink and red chalk, with traces of black chalk (recto); Pen and brown ink with brown wash over red chalk and traces of pencil, the three pasted-in compositional sketches in black chalk laid down on an album sheetSheet: 33.4 x 43.5 cm (13 1/8 x 17 1/8 in.); Page: 34.1 x 46 cm (13 7/16 x 18 1/8 in.); Sheet 4: 7.9 x 3.9 cm (3 1/8 x 1 9/16 in.); Sheet 3: 13.7 x 7.3 cm (5 3/8 x 2 7/8 in.); Sheet 1: 7.9 x 3.7 cm (3 1/8 x 1 7/16 in.)John L. Severance FundCCCC0