ArtLens Reimagined

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The Intersection of Art, Technology, and Innovation

ArtLens is relaunching with its third and most innovative iteration designed to remove the intimidation of an art museum and give people the tool sets to look closer and dive deeper.

Open to Public: Tuesday, July 28, 2026

Thursday, July 23, 2026–Monday, September 1, 2031
Location:  001 ArtLens Gallery
Maltz Family Foundation ArtLens Gallery
Free; No Ticket Required

PRESENTED BY

Harvard FAS CAMLab logo
Sherwin-Williams logo
Stability.ai logo
Womens Council Logo

About The Exhibition

ArtLens has been helping make art meaningful and accessible for over a decade. First launched in 2012 as Gallery One, it has used digital technology in nationally and internationally recognized experiences that initiate visitors’ relationship to the permanent collection. ArtLens transforms how we engage with art, making it fun, accessible, and awe inspiring for all generations.

Built at the intersection of art, technology, and innovation, immersive experiences bring artworks to life by offering visitors to explore the stories behind major artworks in the collection—from creation and historical context to conservation and repatriation, sparking dialogue with the community. Incredible interactives provide entry points for discovery through art and technology. Visitors can use their new connections with the art to enhance their exploration of the entire museum.

Video URL

ArtLens breaks down barriers and reimagines the space to be more inclusive. Accessibility is at the forefront of the entire process, and every decision is made to further the goal of inspiring deeper engagement and making art matter to everyone. The result is a space with multisensory interactives, tactile maps, braille descriptions, touchable reproductions of select artworks, and even more inclusive experiences.

Create, Engage, and Connect

The new ArtLens gallery features a range of accessible experiences divided into five areas: Relate, Investigate, Create, Explore, and Infinite Landscape + You on View. These experiences are designed so every visitor can find a meaningful way to engage with art. These interactives take away the intimidation of an art museum but leave the awe and inspiration. Accessibility and inclusivity are central to our design, with several experiences specifically developed to support visitors who are blind or have low vision. Additionally, several interactives utilize machine learning and AI models to create richer, more responsive experiences that were not technically possible just a few years ago.

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A person standing in front of a colorful projection of an ancient stone carving.

Explore the Interactives

Sacred Sites Revisted

Three immersive videos created by the Cleveland Museum of Art in collaboration with Harvard FAS CAMLab reconnect artworks with their architectural, ritual, and cultural environments across three sites in Asia, the Hadda Monastery, Xiangtangshan Caves and Xiudingsi Pagoda. Encounter places that once functioned as places of worship, pilgrimage, and daily ritual. Each site's video is approximately 5 minutes long, displayed as large-scale projection with multichannel video and audio.   
Explore further with special tactile versions of select artworks found at the sites.  Feel the details of the objects that were shaped by centuries of artistic tradition and cross-cultural exchange. 

A digital 3D rendering of an ornate terracotta wall with diamond tiles containing Buddhist motifs and a variety of figures

Binocular Tension

Binocular Tension is a light box showing two human eyes that track and follow the observer with a built-in computerized tracking system. When a member of the public is detected, their presence triggers the eyes to wake up, looking at the visitor directly, creating an experience that questions who is the observer and who is the observed. A new accessible feature has been added to the artwork: infrared heat lamps for people with low vision, enabling them to sense the tracking from above.

Person standing with their back to the camera looking at a monitor displaying eyes following them.

Binocular Tension, 2024. Rafael Lozano-Hemmer (Mexican Canadian, born Mexico, 1967). Flat display, 3D sensor, computer, wooden frame, custom-made software, infrared heat lamps, and DMX controller; 115 x 38 x 11 cm. The Cleveland Museum of Art, Antimodular Studio, 5.2026. © Rafael Lozano-Hemmer

 

FAQ

A Redesigned App

Alongside the reimagined ArtLens gallery, the ArtLens app is getting a complete refresh. Designed around how visitors explore, learn, and connect at the CMA, the new app is built with a unified codebase for both iOS and Android, strategically integrated within the CMA digital ecosystem to leverage the latest app technologies and to build on what already works. Visitors can explore every artwork on view, save favorite artworks and creations, take museum tours, and locate artworks around them in a dynamic map. Prioritizing accessibility and inclusivity for all users, the app works seamlessly with other built-in accessibility features on users’ devices, enabling visitors who are blind or have low vision to easily navigate both the app and the physical ArtLens interactives using a screen reader. Beginning fall 2026, the app also allows visitors to point their phone camera at any artwork and instantly access artwork information, images, audio, and videos. Additionally, any artwork on view can be saved to create personalized tours.

ArtLens Download Instructions

ArtLens App is free and is available via the App Store for iPhone and iPad and available via the Google Play Store for Android devices. 

a person holding a phone

Photo courtesy of Dome Collective

Sponsors

Presented by

Harvard FAS CAMLab logo

Sherwin-Williams logo

Stability.AI logo

Womens Council Logo

Principal support is provided by an anonymous donor.

Generous support is provided by BlueBridge Networks, CWRU Sears think[box], and LightSight AI. Additional support is provided by RealNose.ai.

All digital innovation and technology initiatives at the Cleveland Museum of Art are underwritten by the CMA Fund for Digital Innovation. Principal support is provided by the Bishop Parker Foundation, Mr. and Mrs. Tim Elek Jr., Walt and Kathy Fortney, Mr. William N. Hanson in loving memory of Susan H. Hanson, the Institute of Museum and Library Services, the late Mrs. Nancy M. Lavelle, John and Leanne Sauerland, and the Trilling Family Foundation.