Orpheus

c. 1903–10
(French, 1840–1916)
Sheet: 68.8 x 56.8 cm (27 1/16 x 22 3/8 in.)
Catalogue raisonné: Wildenstein 885
Location: not on view
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Did You Know?

Another version of this pastel (now in the collection of the Musée Fabre de Montpellier) was part of a group of later works by Redon shown at the 1913 International Exhibition of Modern Art—better known as the Armory Show—which introduced the artist to American audiences.

Description

Drawn in vivid layers of pastel crayon, this work depicts the head of the poet and musician Orpheus. The story of the god of music, whose music carried on after his death through his lyre and head, fascinated Redon, who related to Orpheus's dedication to his art. The subject also aligned with Redon's broader interest in dreams and spirituality around this time and he represented Orpheus several times throughout his career, in various media. Here, the god's head floats as if in stasis while Mount Parnassus—the home of Apollo and the Muses—soars from behind.
Orpheus

Orpheus

c. 1903–10

Odilon Redon

(French, 1840–1916)
France

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Nineteenth-Century French Drawings at the Cleveland Museum of Art
Nineteenth-Century French Drawings at the Cleveland Museum of Art
By Britany Salsbury, Associate Curator of Prints and Drawings, The Cleveland Museum of Art. Drawing transformed radically in 19th-century France, expanding from a means of artistic training to an independent medium with rich potential for exploration and experimentation. A variety of materials became available to artists—such as commercially fabricated chalks, pastels, and specialty papers— encouraging figures ranging from Jean-Auguste-Dominique Ingres to Paul Cezanne to reconsider the place of drawing within their artistic practices. A growing number of public and private exhibition venues began to feature their creations, building an audience attracted by the intimacy of drawings and their unique techniques and subjects. In France and abroad, museums and individuals alike started to actively acquire these works while they were still contemporary art. Nineteenth-Century French Drawings at the Cleveland Museum of Art examines the history of this medium, from preparatory graphite sketches to pastels finished for public display. The publication chronicles the remarkable role that drawings—a cornerstone of the museum’s collection since its opening in 1916—have played throughout the institution’s history. Entries provide insight into nearly 50 artists and the place of drawing within their work, while five essays by leading scholars in the field present new research on the making and collecting of drawings in France during this extraordinary period. Published 2023200 pages with 148 images

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