Melancholy

c. 1868
(French, 1840–1916)
Support: Beige wove paper (discolored)
Sheet: 32.1 x 22 cm (12 5/8 x 8 11/16 in.)
Catalogue raisonné: Wildenstein 576
Location: not on view
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Redon incorporated fantastical details into his mountainous landscape, including a small creature seen faintly directly above the woman and a profile that vaguely appears in the shadows next to her.

Description

Odilon Redon grew up near the massive Pyrénées mountains in southern France and their image recurred throughout his work. In a series of drawings made during the 1870s, Redon used the craggy surface and infinite reach of his native landscape to evoke a sense of solitude and isolation. The woman seen here, for example, leans forward and casts her eyes downward as if in resignation.
Melancholy

Melancholy

c. 1868

Odilon Redon

(French, 1840–1916)
France, 19th century

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Nineteenth-Century French Drawings at the Cleveland Museum of Art
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By Britany Salsbury, Associate Curator of Prints and Drawings, The Cleveland Museum of Art. Drawing transformed radically in 19th-century France, expanding from a means of artistic training to an independent medium with rich potential for exploration and experimentation. A variety of materials became available to artists—such as commercially fabricated chalks, pastels, and specialty papers— encouraging figures ranging from Jean-Auguste-Dominique Ingres to Paul Cezanne to reconsider the place of drawing within their artistic practices. A growing number of public and private exhibition venues began to feature their creations, building an audience attracted by the intimacy of drawings and their unique techniques and subjects. In France and abroad, museums and individuals alike started to actively acquire these works while they were still contemporary art. Nineteenth-Century French Drawings at the Cleveland Museum of Art examines the history of this medium, from preparatory graphite sketches to pastels finished for public display. The publication chronicles the remarkable role that drawings—a cornerstone of the museum’s collection since its opening in 1916—have played throughout the institution’s history. Entries provide insight into nearly 50 artists and the place of drawing within their work, while five essays by leading scholars in the field present new research on the making and collecting of drawings in France during this extraordinary period. Published 2023200 pages with 148 images

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