Artwork Page for Christ Crucified Between the Two Thieves: 'The Three Crosses'

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Christ Crucified Between the Two Thieves: 'The Three Crosses'

1653-c.1660

Rembrandt van Rijn

(Dutch, 1606–1669)
Culture
Rembrandt, 17th century
Medium
drypoint
Support
Laid paper
Measurements
Sheet: 37.5 x 44 cm (14 3/4 x 17 5/16 in.)
Credit Line
Bequest of Ralph King and Purchase from the J. H. Wade Fund 1959.241
Catalogue raisonné
Hollstein 78 (XVIII.43)
State
iv/v
Public Domain
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Location
Not on view
Print
?

Did You Know?

When he printed this impression, Rembrandt deliberately left ink on the printing plate, specifically on the left and right sides, essentially creating a unique work.

Description

Rembrandt’s Christ Crucified Between the Two Thieves is executed entirely in drypoint. Because of the delicacy of the technique, the copper plate was worn after the artist printed about 40 impressions of the first three states. In order to continue using the plate, Rembrandt reworked it, changing the image somewhat. In this fourth state, slashing strokes obscure the spectators visible in the earlier version, creating a tenebrous setting that focuses attention on Christ bathed in celestial light. Although drypoint is an inherently linear medium, Rembrandt used it to obtain tonal qualities associated with painting. The blackness becomes an active force that threatens to extinguish the light of Christ—a literal illustration of the Evangelist Luke’s description of the event that brought "a darkness over all the earth."
A print of a man being crucified on a cross, surrounded by a crowd of people. On his right is another man being crucified on a cross and on his left, dark shadows obscure another man being crucified on a cross. Slashing strokes create deep shadows and streaked light throughout the print.

Christ Crucified Between the Two Thieves: 'The Three Crosses'

1653-c.1660

Rembrandt van Rijn

(Dutch, 1606–1669)
Rembrandt, 17th century

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