Portraits of the Qianlong Emperor and His Twelve Consorts

Portraits of the Qianlong Emperor and His Twelve Consorts


1736-c. 1770s

Giuseppe Castiglione 郎世寧 and others

(Italian, 1688-1766)

Handscroll, ink and color on silk

Overall: 53.8 x 1154.5 cm (21 3/16 x 454 1/2 in.); Painting only: 53 x 688.3 cm (20 7/8 x 271 in.)

John L. Severance Fund 1969.31


Did you know?

Lingfei 令妃 (1727–1775), the first consort depicted in the maroon or “incense-colored" 香色 robe, was the mother of six of Qianlong’s children, including the future Emperor Jiaqing.


Formal portraiture contributed to the affirmation of status and construction of role and identity. This scroll served as both familial documentation and a "mind picture" of the Qianlong emperor, suggesting that his constructed image of emperorship was inseparable from concepts of self and family. It was stored in a carved red lacquer box bearing the original painting title Mind Picture of a Well-Governed and Tranquil Reign (see CMA 1969.32).

Qianlong's portrait is inscribed with a date of 1736, the year he ascended the throne. The other portraits document the appearances of the empress and eleven consorts around the time when they received their respective imperial titles, which occurred at different stages of the emperor's life. The first three portraits were done by the Jesuit missionary-artist Giuseppe Castiglione whereas the others were by the Chinese court painters. Qianlong had unrolled and viewed the scroll in his old age, as indicated by the impression of the seals he used after abdicating in 1796.

See also
ASIAN - Handscroll
Chinese Art
Type of artwork: 

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