Seated Buddha

如来坐像

1100s
Overall: 145.4 cm (57 1/4 in.); Figure: 88.2 cm (34 3/4 in.); Pedestal: 57.2 cm (22 1/2 in.)
Location: 235B Japanese
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Did You Know?

A 1906 photo taken at Kōfukuji shows this sculpture without a halo or left hand.

Description

Composed of a number of hollowed-out pieces of wood that were then covered with lacquer and gilding, this sculpture served as an image of worship in one of the small temples surrounding Kōfukuji, a major Buddhist temple in Nara, Japan. Like many Buddhas, this figure has its right hand positioned in a gesture meaning "fear not." The left hand is a replacement, so its original gesture, a clue to this Buddha's identity, is unknown. However, as the left foot is exposed over the garment, in lotus position, it may have been created as a Medicine Master Buddha, Yakushi Nyorai in Japanese, or the Buddha of our era, Shakyamuni.
Seated Buddha

Seated Buddha

1100s

Japan, Heian period (794–1185)

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Haiku: Seasonal Japanese Art and Poetry Boxed Notecard Assortment
Haiku: Seasonal Japanese Art and Poetry Boxed Notecard Assortment
The roots of Japanese haiku reach back over a thousand years. In this poetic form, as in life, there is a pause, a shift, in which the poet celebrates sensory awareness of the season, perhaps suggested by the scent of peony blossoms or the silence of snow-covered tree limbs. The timeless appeal of this understated poetry may be the human desire to capture one’s impressions of a fleeting moment. Such seasonal allusions emphasize the essence of haiku: nature and its ephemeral beauty. This boxed notecard assortment features four haiku paired with reproductions of exquisite Japanese woodcuts. Each poem is rendered in Japanese calligraphy, Romaji transliteration, and English translation. Contains five each of the following images: Kotozuka Eiichi (Japanese, 1906–1979), Fine Day in May [Boys’ Day—May 5], published 1950s Yoshida Tōshi (Japanese, 1911–1995), Sangetsu-an, Hakone Museum, 1954 Ikeda Zuigetsu (Japanese, 1877–1944), Peonies, c. 1930s, Tsuchiya Kōitsu (Japanese, 1870–1949), Miyajima in the Snow, 1937 • 20 blank notecards (5 each of 4 designs) with envelopes in a decorative box• Printed in full color on recycled paper with soy based inks• High-quality 250 gsm card stock• Soft white envelopes• Pomegranate’s notecard sets feature exclusive selections of art from museums and artists around the worldPublished with Art Gallery of Greater VictoriaBox size: 7.375 x 5.375 x 1.5 in.Card size: 7 x 5 in.

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