Artwork Page for Sericulture (The Process of Making Silk)

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Sericulture (The Process of Making Silk)

耕織圖

early 1200s

attributed to Liang Kai 梁楷

(Chinese, mid-1100s–early 1200s)
Culture
China, Southern Song dynasty (1127-1279)
Medium
Handscroll; ink and color on silk
Measurements
First Section: 26.7 x 98.6 cm (10 1/2 x 38 13/16 in.); Second Section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.); Third Section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.)
Credit Line
John L. Severance Collection 1977.5
Public Domain
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Location
Not on view
Print
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Did You Know?

The painting is attributed to Liang Kai, a court artist active from about 1201 to 1204 at the Imperial Painting Academy in the city of Hangzhou, a major silk weaving center from that time to the present day.

Description

By the Southern Song period, the economic center of the silk industry had shifted to the lower Yangzi delta, while the north continued to be troubled by wars.

Divided into three sections, the handscroll illustrates 14 steps in the process of making silk. The scroll’s scenes follow the illustrations of Lou Shou’s (1090–1162) Pictures of Tilling and Weaving (gengzhi tu), the first recorded painting of this genre, which was conceived in Hangzhou around 1145. However, in the Cleveland painting the artist groups several scenes of sericulture together under the roof of an open structure.
Horizontally long handscroll in muted colors with four sections, the first filled with Chinese calligraphy, and the next three containing continuous illustrations of people with light skin tones engaging in various steps of making silk. The people work in single-story rectangular, open-air buildings with triangular roofs. The white of the silk contrasts with the beige of the scroll, particularly as it becomes more and more processed moving right to left.

Sericulture (The Process of Making Silk)

early 1200s

Liang Kai

(Chinese, mid-1100s–early 1200s)
China, Southern Song dynasty (1127-1279)

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