Skip to Main Content

Palanquin Hook

1175–1230
Overall: 17.4 cm (6 7/8 in.)
You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative.
Location: not on view

Download, Print and Share

Did You Know?

In the middle of the hook, a figure holding a sword in one hand and his extended leg in the other is in a dance pose expressing vigorous attack.

Description

When members of the royal family or priesthood traveled in a public festival procession or to a temple like Banteay Chhmar to make offerings or participate in a ceremony, they would be carried in a palanquin, or a covered litter. Portable objects of veneration, such as bronze images or a sacred fire, were also carried on palanquins. The palanquins had wooden poles, hanging seats or raised platforms, and bronze fittings cast in intricate forms and gilt, lending the palanquins a sumptuous quality.

This hook once supported a bronze ring from which hung a seat, like a hammock or swing. A wooden pole would have passed through the hollow socket at the top and was carried on the shoulders of bearers.

The hook segment ends in the face of a garuda, a man-eagle with a prominent beak, stylized wings, and feathers. Figures indicative of devotion and success, including pairs of elephants, crown the fitting.
Palanquin Hook

Palanquin Hook

1175–1230

Cambodia, Bayon style, 12th-13th century

Visually Similar Artworks

Contact us

The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.

To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.