Artwork Page for Fire-flame Cooking Vessel (Ka'en Doki)

Details / Information for Fire-flame Cooking Vessel (Ka'en Doki)

Fire-flame Cooking Vessel (Ka'en Doki)

火焔土器

c. 2500 BCE
(c. 10,500–300 BCE)
height: 61 cm (24 in.); Diameter: 55.8 cm (21 15/16 in.)
Location: not on view
Public Domain
You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative.

Download, Print and Share

Did You Know?

Scientifically tested residues from Jōmon vessels reveal that their makers consumed detoxified acorns.

Description

Archaeologists call this kind of vessel “fire-flame,” ka’en in Japanese, because their tops resemble flames. No one knows why the design was created, or what it actually represents. This example is remarkable for the amount that is original. It was recently determined that the bottom from a different vessel was used during its reconstruction, creating a false impression of its intended scale; it would have been about four inches shorter. Since their lower portions were set into holes in the ground during use, bases of pots like these often deteriorated.
A light brown vessel covered in highly textured carved designs. There are patterns resembling waves around the top half of the vessel. The rim of the vessel features tall, flame-like shapes.

Fire-flame Cooking Vessel (Ka'en Doki)

c. 2500 BCE

Japan, Jōmon period (c. 10,500–300 BCE)

See Also

Videos

Ceramic Tradition

How It Was Used

Conservation Story

Visually Similar by AI

    CMA Store

    Haiku: Seasonal Japanese Art and Poetry Boxed Notecard Assortment
    The roots of Japanese haiku reach back over a thousand years. In this poetic form, as in life, there is a pause, a shift, in which the poet celebrates sensory awareness of the season, perhaps suggested by the scent of peony blossoms or the silence of snow-covered tree limbs. The timeless appeal of this understated poetry may be the human desire to capture one’s impressions of a fleeting moment. Such seasonal allusions emphasize the essence of haiku: nature and its ephemeral beauty. This boxed notecard assortment features four haiku paired with reproductions of exquisite Japanese woodcuts. Each poem is rendered in Japanese calligraphy, Romaji transliteration, and English translation. Contains five each of the following images: Kotozuka Eiichi (Japanese, 1906–1979), Fine Day in May [Boys’ Day—May 5], published 1950s Yoshida Tōshi (Japanese, 1911–1995), Sangetsu-an, Hakone Museum, 1954 Ikeda Zuigetsu (Japanese, 1877–1944), Peonies, c. 1930s, Tsuchiya Kōitsu (Japanese, 1870–1949), Miyajima in the Snow, 1937 • 20 blank notecards (5 each of 4 designs) with envelopes in a decorative box• Printed in full color on recycled paper with soy based inks• High-quality 250 gsm card stock• Soft white envelopes• Pomegranate’s notecard sets feature exclusive selections of art from museums and artists around the worldPublished with Art Gallery of Greater VictoriaBox size: 7.375 x 5.375 x 1.5 in.Card size: 7 x 5 in.
    Haiku: Seasonal Japanese Art and Poetry Boxed Notecard Assortment
    Hokusai: 36 Views of Mount Fuji
    by Amelie Balcou Hokusai’s beloved series of woodblock prints is now available in a stunning new format that honors the Japanese bookmaking tradition and illuminates the artist’s radiant colors and exquisite lines. Hokusai’s series depicting Mount Fuji is widely considered to be the pinnacle of his career. This beautiful, boxed accordion- fold edition comprises the full set of forty-six prints (the original thirty-six and ten more that were completed later) and features a luxurious silken binding along with a separate explanatory booklet. The book and booklet are packaged in an elegant slipcase. Devoted entirely to landscapes, Hokusai’s series shows Mount Fuji from various viewpoints, framed in different ways. An indefatigable traveler who was passionate about nature, Hokusai explored every vantage point and season at the volcano. He presented it both as a solitary and majestic snow-capped peak and as a smaller object on a distant horizon. Hokusai also portrayed the mountain as an element in Japanese daily life and as an imposing force of nature that can be peaceful and beneficent, or ferocious and unforgiving. These impeccably reproduced prints invite readers to examine Hokusai’s virtuosic use of color and composition, his talent for contrasting perspectives, and his interest in the dueling roles of man and nature. An exquisite objet d’art, this volume is the perfect vehicle for appreciating Hokusai’s crowning achievement in all its lasting and subtle beauty. 138 pages Published 2019
    Hokusai: 36 Views of Mount Fuji
    Birds & Flowers: Japanese Hanging Scroll Puzzle
    1000 piece puzzle Peafowl, ducks, flowers and rocks, 1800–1880Nagasaki school, JapanPaintings of birds and flowers enjoy a long tradition in Japanese art. This hanging scroll reflects the realism of the Nagasaki school, an Edo period school or style of painting. The Edo period (1603–1868) was a time of great significance in Japan’s history because at the beginning of the seventeenth century, the country was unified under the Tokugawa family after years of civil unrest. The following years were ones of unprecedented peace and prosperity, prompting an increase in artistic, cultural, and social development. Puzzle size: 20 x 29 in
    Birds & Flowers: Japanese Hanging Scroll Puzzle
    Japanese Decorative Designs Keepsake Boxed Notecards
    Timeless examples of Japanese artistry—the decorative designs featured herein reflect a historically deep appreciation of beauty in art and nature. Although little is known of their creators or the actual dates of their creation, such works have influenced tastes in everything from textiles to paper goods, furniture to fine art. Europe and North America have long been enamored with Japanese design and aesthetics, particularly since Japan opened its political and economic borders in 1868, providing the impetus for an unprecedented exchange of arts and culture with the West. The four textile designs selected for this notecard set reside in the collections of the Fine Arts Museums of San Francisco, which include more than 13,000 textiles and costumes from traditions around the world. • 16 assorted blank notecards (4 each of 4 designs) with envelopes• Paper-wrapped decorative box with hinged closure• Printed in full color on recycled paper with soy based inks• High-quality 250 gsm card stock• Soft white envelopes• A2 card size• Pomegranate’s notecard sets feature exclusive selections of art from museums and artists around the worldPublished with the Fine Arts Museums of San FranciscoBox size: 5 x 6.25 x 1.25 in.Card size: 4.25 x 5.5 in.
    Japanese Decorative Designs Keepsake Boxed Notecards

    Contact us

    The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.

    To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

    All images and data available through Open Access can be downloaded for free. For images not available through Open Access, or any image with a color bar, request a digital file from Image Services.