Artwork Page for Study for "The Assumption of the Virgin" for San Augustín, Seville

Details / Information for Study for "The Assumption of the Virgin" for San Augustín, Seville

Study for "The Assumption of the Virgin" for San Augustín, Seville

c. 1670–72
(Spanish, 1622–1690)
Culture
Spain
Measurements
Framed: 52.3 x 39 cm (20 9/16 x 15 3/8 in.); Unframed: 40.3 x 26.6 cm (15 7/8 x 10 1/2 in.)
Credit Line
Public Domain
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Location
Not on view

Description

This painting is a sketch for a large altarpiece. The rough, flickering surface, the unusually sharp contrast of hot and cool hues, and the compression of space all characterize the artist’s intense spirituality and unique technique. While often held apart from the sweetness and grace of Murillo (also represented in the collection), his contemporary in Seville, the two artists worked closely together on commissions and often presented their work side by side, speaking to the stylistic diversity and religious complexity preferred by patrons in Seville during the late 1600s.
A vertically oriented oil painting depicts the Virgin Mary ascending on a cloud, supported by winged angels. Wearing white and dark robes, she gazes toward Christ at the top right, who holds a tall wooden cross. Above her, an angel holds a crown, while winged children handle a white cloth over a tomb below. All figures have light skin tones, surrounded by loose brushwork and a swirling, smoky sky of muted grays and browns.

Study for "The Assumption of the Virgin" for San Augustín, Seville

c. 1670–72

Juan de Valdés Leal

(Spanish, 1622–1690)
Spain

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