Albumen print from wet collodion negative
Image: 40.1 x 52.4 cm (15 13/16 x 20 5/8 in.); Matted: 61 x 76.2 cm (24 x 30 in.)
Andrew R. and Martha Holden Jennings Fund 1992.12
In the spring, Bridal Veil Falls drops a torrent of rushing water 620 feet down into the Yosemite Valley.
The grand scale of the American West was difficult to convey in early photographs, which were intimately scaled objects meant for the hand and the album. Starting in the late 1850s, a handful of photographers shooting landscapes and historical settings began producing “mammoth” prints, including the San Francisco-based Carleton E. Watkins. The seemingly gargantuan scale of these prints allowed a new, immersive relationship between the viewer and the image, enhancing that “you are there” feeling.
The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email email@example.com.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.