Creative Therapy

1949
(American, 1917–2000)
Support: Cream Grumbacher (blind stamp lower left) wove paper
Sheet: 56 x 76.4 cm (22 1/16 x 30 1/16 in.)
© The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York
Catalogue raisonné: Nesbett and DuBois P49-06
Location: not on view
This artwork is known to be under copyright.

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Did You Know?

Jacob Lawrence included a self portrait in this work, at left, showing himself so closely focused on his canvas that it obscures his face.

Description

Jacob Lawrence established an important and successful career early on, working with a prestigious New York gallery and becoming the first African American artist to be represented in the collection of the Museum of Modern Art. He encountered anxiety and self-doubt, however, leading him to undertake a voluntary stay at Hillside Hospital, a psychiatric facility in Queens from 1949 through 1950. While there, he produced a series of drawings, to which this sheet belongs, depicting his experiences. In the present work, patients paint together, guided by a physician who saw art as a means of therapy. Lawrence experimented with geometric forms, flattened planes, and slanting recession of space to shift the image's perspective and place the viewer within the scene.
Creative Therapy

Creative Therapy

1949

Jacob Lawrence

(American, 1917–2000)
America, 20th century

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Young, Gifted and Black: A New Generation of Artists
Antwaun SargentWhat's new, now and next from contemporary Black artistsThis book surveys the work of a new generation of Black artists, and also features the voices of a diverse group of curators who are on the cutting edge of contemporary art. As mission-driven collectors, Bernard I. Lumpkin and Carmine D. Boccuzzi have championed emerging artists of African descent through museum loans and institutional support. But there has never been an opportunity to consider their acclaimed collection as a whole until now.Edited by writer Antwaun Sargent (author of The New Black Vanguard: Photography Between Art and Fashion), Young, Gifted and Black draws from this collection to shed new light on works by contemporary artists of African descent. At a moment when debates about the politics of visibility within the art world have taken on renewed urgency, and establishment voices such as the New York Times are declaring that "it has become undeniable that African American artists are making much of the best American art today," Young, Gifted and Black takes stock of how these new voices are impacting the way we think about identity, politics and art history itself.Young, Gifted and Black contextualizes artworks with contributions from artists, curators and other experts. It features a wide-ranging interview with Bernard Lumpkin and Thelma Golden, director, and chief curator of the Studio Museum in Harlem; and an in-depth essay by Antwaun Sargent situating Lumpkin in a long lineage of Black art patrons. A landmark publication, this book illustrates what it means (in the words of Nina Simone) to be young, gifted, and Black in contemporary art.192 pagesFirst published September 29, 2020

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