Differential Complex

Differential Complex

1910

Manierre Dawson

(American, 1887-1969)

Oil on board

Framed: 54.6 x 44.5 x 5.1 cm (21 1/2 x 17 1/2 x 2 in.); Unframed: 40.7 x 31.8 cm (16 x 12 1/2 in.)

Mr. and Mrs. William H. Marlatt Fund 2001.123

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Description

Differential Complex is one of seven pure abstractions Dawson created in 1910. It represents a major breakthrough in Western art-one of the first occasions in which an artist rejected representation and created a purely abstract composition. Dawson's works predate the paintings that are generally mentioned in art history textbooks as the world's first pure abstractions: the paintings created later in that same year by Arthur Dove (1880-1946) in Westport, Connecticut, and Wassily Kandinsky (1866-1944) in Munich, Germany.

Dawson seems to have absorbed the idea of abstract design through exposure to the work of Arthur Wesley Dow (1857-1922) in his high school art classes. In addition, he seems to have read books by Denman Ross, particularly Ross's A Theory of Pure Design, which proposed creating non-representational forms of art. Dawson's mathematical training and his work as an engineer also influenced his developments. Indeed, his early abstractions often suggest mathematical diagrams laid out on a blackboard. The radical geometric simplifications of Chicago architecture were another influence, as was the engineer's practice of thinking of structure in terms of invisible forces.

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