Artwork Page for Icon of the Mother of God and Infant Christ (Virgin Eleousa)

Icon of the Mother of God and Infant Christ (Virgin Eleousa)
c. 1425–50
Angelos Akotantos
(Cretan, died 1450)
Republic of Venice, Kingdom of Candia, Candia (Heraklion, Crete, Greece) or Byzantine Empire, Constantinople (Istanbul, Turkey)
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Africa and Byzantium
By Andrea Myers Achi Medieval art history has long emphasized the glories of the Byzantine Empire, but less known are the profound artistic contributions of Egypt, Nubia, Ethiopia, and other powerful African kingdoms whose pivotal interactions with Byzantium had an indelible impact on the Mediterranean world. Bringing together masterworks in a range of mediums and techniques—from mosaic, sculpture, pottery, and metalwork to luxury objects, panel paintings, and religious manuscripts—this publication recounts Africa’s centrality in far-flung transcontinental networks of trade and cultural exchange. With incisive scholarship and new photography of works rarely or never before seen in public, Africa and Byzantium sheds new light on the staggering artistic achievements of medieval Africa. This long-overdue publication reconsiders the continent’s contributions to the development of the premodern world and offers a more complete history of Africa as a vibrant, multiethnic society of diverse languages and faiths that played a key role in the artistic, economic, and cultural life of Byzantium and beyond. 352 pages, HardcoverPublished November 2023
Handmade Orthodox shrine of Our Lady, Byzantine | Hanging Wood Plaque
Glass cup not included. In this handcrafted quality shrine of pray and worship made of natural pine wood hand carved by hand, Holy Virgin Mary is portrayed, in a synthesis that produce a unique iconostasis inspired by Mount Athos creations. This wonderful icon has been created with the technique of lithography. The creator of this icon has learned the canonization of iconography in workshops of the Monasteries of Mount Athos, where he was taught both the technique of lithography and the process of handmade artificial ageing. Can be hung on a wall or placed on a flat surface.
Small Sword Poster
In the eighteenth century, the smallsword was designed to be a light, quick weapon. Like the rapier, it was carried by unarmored noblemen. As decorative works, smallswords represent the final stage in the evolution of the sword. This poster pictures one of many on display in the Cleveland Museum of Arts Armor Gallery. Size: 36" x 24"
Two Handed Sword Poster
The sword depicted in this poster is just one from a series marked with the crown monogram of Duke Julius of Brunswick-Lununeburg. Used by the Duke's bodyguards, each sword such as the one pictured is distinguished by the fish-shaped crossbar on the hilt and pierced, crutch-shaped pommels. By the late 1600s these enormous swords had a largely ceremonial use. Size: 36" x 13"
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