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Artwork Page for Christ and the Virgin in the House at Nazareth

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Christ and the Virgin in the House at Nazareth

c. 1640
(Spanish, 1598–1664)
Spain, 17th century
oil on canvas
Framed: 201 x 256 x 10 cm (79 1/8 x 100 13/16 x 3 15/16 in.); Unframed: 165 x 218.2 cm (64 15/16 x 85 7/8 in.)
Leonard C. Hanna Jr. Fund 1960.117
Location: 212 Baroque Painting and Sculpture
Public Domain
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Did You Know?

Zurbarán, also a still-life painter, tilts the tabletop to emphasize the symbolic books and fruit.

Description

Stories of Christ’s childhood and adolescence became increasingly popular during the Counter-Reformation because they were easily understood by a broad public. Rather than taking a story from the Bible, Zurbarán appears to have invented this subject, in which Jesus pricks himself on a crown of thorns he is weaving, foretelling his later torment at the Crucifixion. Despite the grand scale and monumental figures, the work has remarkable intimacy and quietness, emphasizing such details as the Virgin’s tears.
An oil painting of a boy and a woman, both with light skin tones, sitting in a room. There are various items around them, including a table behind them and two white birds at the bottom right corner of the painting. From our left to our right, the boy pricks himself on his crown of thorns in his lap while the woman looks towards him with tears falling down her cheeks.

Christ and the Virgin in the House at Nazareth

c. 1640

Francisco de Zurbarán

(Spanish, 1598–1664)
Spain, 17th century

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