Artwork Page for Adoration of the Magi

Details / Information for Adoration of the Magi

Adoration of the Magi

1642
(Italian, 1575–1642)
Measurements
Framed: 378 x 280.5 x 10.5 cm (148 13/16 x 110 7/16 x 4 1/8 in.); Unframed: 367.3 x 268.6 cm (144 5/8 x 105 3/4 in.)
Credit Line
Public Domain
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Description

This large altarpiece was in the artist's studio when he died, and parts of the composition appear incomplete. Some figures lack color, and Reni never finished the wooden structure. The silvery ground layer appears everywhere, as do his changes to the composition, such as the dog's head above the angel's right knee and the adjustment to Christ's right leg, covered in blue. However, Reni's death does not fully explain the unfinished quality. Toward the end of his career, he increasingly painted in a loose and sketchy manner—popular with collectors at the time—an approach implying that concrete forms could never depict the ideal, spiritual world Reni aimed to present.
A vertically oriented oil painting with an arched top depicts the Virgin Mary holding the nude baby Christ with Joseph standing behind them, all with light skin tones. Approaching from our right are three Magi; one kneels in flowing white garments, while another with a dark skin tone stands in a red cloak. Nude, winged children gather around them. At left, a winged child looks out at us beneath a sky swirling with gray clouds.

Adoration of the Magi

1642

Guido Reni

(Italian, 1575–1642)
Italy, 17th century

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