Art and Power in the Central African Savanna

Tags for: Art and Power in the Central African Savanna
  • Special Exhibition
Sunday, March 1–Sunday, May 31, 2009
Location: The Kelvin and Eleanor Smith Foundation Exhibition Hall
Male figure (detail). Songye, D.R.C. Wood, horn, metal, beads, fiber, pelts, snake skin; h. 90.5 cm. Ethnographic Museum, Antwerp [Bequest of Paul Osterrieth, 1940] (AE 1940.1.47). Male figure (detail). Songye, D.R.C. Wood, metal, cowries, horns, pelts, pangolin skin, beads; h. 121.3 cm. Private collection. Photo: © Ethnographic Museum, Antwerp Michel Wuyts

Male figure (detail). Songye, D.R.C. Wood, horn, metal, beads, fiber, pelts, snake skin; h. 90.5 cm. Ethnographic Museum, Antwerp [Bequest of Paul Osterrieth, 1940] (AE 1940.1.47). Male figure (detail). Songye, D.R.C. Wood, metal, cowries, horns, pelts, pangolin skin, beads; h. 121.3 cm. Private collection. Photo: © Ethnographic Museum, Antwerp Michel Wuyts

  1. Male figure. Songye, D.R.C. Wood, horn, metal, beads, fiber, pelts, snake skin; h. 90.5 cm. Ethnographic Museum, Antwerp [Bequest of Paul Osterrieth, 1940] (AE 1940.1.47). Photo: © Bart Huysmans, Antwerp
     Male figure. Songye, D.R.C. Wood, horn, metal, beads, fiber, pelts, snake skin; h. 90.5 cm. Ethnographic Museum, Antwerp [Bequest of Paul Osterrieth, 1940] (AE 1940.1.47). Photo: © Bart Huysmans, Antwerp 
  2. Bowl bearer. Luba, D.R.C. Wood, brass tacks, iron, beads; h. 39 cm. Felix Collection. Photo: © Dick Beaulieux, Brussels
     Bowl bearer. Luba, D.R.C. Wood, brass tacks, iron, beads; h. 39 cm. Felix Collection. Photo: © Dick Beaulieux, Brussels 
  3. Bow stand. Luba, D.R.C. Wood, metal; h. 59.4 cm. Ethnographic Museum, Antwerp Museum purchase, 1920 (AE 722). Photo: © Hughes Dubois, Paris/Brussels
     Bow stand. Luba, D.R.C. Wood, metal; h. 59.4 cm. Ethnographic Museum, Antwerp Museum purchase, 1920 (AE 722). Photo: © Hughes Dubois, Paris/Brussels 
  4. Male figure. Luluwa, D.R.C. Wood; h. 41.6 cm. Collection Laura and James J. Ross. Photo: © John Bigelow Taylor, New York
     Male figure. Luluwa, D.R.C. Wood; h. 41.6 cm. Collection Laura and James J. Ross. Photo: © John Bigelow Taylor, New York 
  5. Male figure. Chokwe, Angola. Wood; h. 37.1 cm. Collection Sidney and Bernice Clyman. Photo: © The Metropolitan Museum of Art
     Male figure. Chokwe, Angola. Wood; h. 37.1 cm. Collection Sidney and Bernice Clyman. Photo: © The Metropolitan Museum of Art 
  6. Animal horn. Possibly Luluwa, D.R.C. Animal horn filled with small horns, metal, dirt, and ingredients; h. 20 cm. Felix Collection. Photo: © Dick Beaulieux, Brussels
     Animal horn. Possibly Luluwa, D.R.C. Animal horn filled with small horns, metal, dirt, and ingredients; h. 20 cm. Felix Collection. Photo: © Dick Beaulieux, Brussels 
  7. Male figure. Songye, D.R.C. Wood, brass, iron, glass beads, cowrie shell, leopard’s teeth, gourd, reptile skin, fiber; h. 66 cm. Possibly field-collected by W. F. P. Burton in 1927–35. National Museum of African Art, Smithsonian Institution, Washington [museum purchase and gift of Professor David Driskell, Friends of the National Museum of African Art, Robert and Nancy Nooter, Milton F. and Frieda Rosenthal, Honorable and Mrs. Michael Samuels, and Mr. Michael Sonnenreich] (86–4-1). Photo: © National Museum
     Male figure. Songye, D.R.C. Wood, brass, iron, glass beads, cowrie shell, leopard’s teeth, gourd, reptile skin, fiber; h. 66 cm. Possibly field-collected by W. F. P. Burton in 1927–35. National Museum of African Art, Smithsonian Institution, Washington [museum purchase and gift of Professor David Driskell, Friends of the National Museum of African Art, Robert and Nancy Nooter, Milton F. and Frieda Rosenthal, Honorable and Mrs. Michael Samuels, and Mr. Michael Sonnenreich] (86–4-1). Photo: © National Museum of African Art, Smithsonian Institution; photography Franko Khoury 
  8. Figure said to represent the culture hero Chibinda Ilunga. Chokwe, Angola. Wood, hair; h. 40.6 cm. Kimbell Art Museum, Fort Worth (AP 1978.05). Photo: © 1999 Michael Bodycomb; Kimbell Art Museum, Fort Worth, Texas
     Figure said to represent the culture hero Chibinda Ilunga. Chokwe, Angola. Wood, hair; h. 40.6 cm. Kimbell Art Museum, Fort Worth (AP 1978.05). Photo: © 1999 Michael Bodycomb; Kimbell Art Museum, Fort Worth, Texas 
  9. Female figure. Luba, D.R.C. Wood, beads, brass tacks; h. 26.5 cm. Collection Guy Porré and Nathalie Chaboche. Photo: © Hughes Dubois, Brussels/Paris
     Female figure. Luba, D.R.C. Wood, beads, brass tacks; h. 26.5 cm. Collection Guy Porré and Nathalie Chaboche. Photo: © Hughes Dubois, Brussels/Paris 
  10. Female figure. Songye, D.R.C. Wood, brass tacks; h. 20.6 cm. Collection Robert Rubin. Photo: © Jerry L. Thompson, courtesy Museum for African Art, New York
     Female figure. Songye, D.R.C. Wood, brass tacks; h. 20.6 cm. Collection Robert Rubin. Photo: © Jerry L. Thompson, courtesy Museum for African Art, New York 
  11. Assemblage of three figures. Songye or Luba-Kasai, D.R.C. Wood, claws, horns, pelts, metal, seeds; h. 78 cm. Felix Collection. Photo: © Dick Beaulieux, Brussels
     Assemblage of three figures. Songye or Luba-Kasai, D.R.C. Wood, claws, horns, pelts, metal, seeds; h. 78 cm. Felix Collection. Photo: © Dick Beaulieux, Brussels 
View More CMA Objects in the Exhibition

About The Exhibition

This exhibition brought together 60 Central African sculptures whose original purpose was to mediate between the human and spirit worlds. For centuries, the Luluwa, Chokwe, Songye, and Luba peoples of the Central African savanna have produced figures that were adorned or filled with ingredients imbued with specific spiritual powers.

In most traditional forms, these works are small and nonfigural and used in the context of the family; any manner of container might be used to carry the special substance. But as power was consolidated among kingdoms and chiefdoms over the course of the 19th century, larger and more ambitious sculptures were developed to serve entire communities. As works of art designed to carry power, they acquired dual function, embodying both spiritual and political qualities. From small, abstract containers to large and elaborate figures carved and decorated with great refinement, the exhibition presented a compelling array of these beautiful and fascinating works of art, many of which had never before been exhibited in the United States.

This exhibition was organized by the Cleveland Museum of Art. Support for education and public programs for Art and Power were provided in part by members of the Friends of African and African-American Art and the African-American Adivsory Committee. The Cleveland Museum of Art is generously funded by Cuyahoga County residents through Cuyahoga Arts and Culture. The Ohio Arts Council helped fund this exhibition with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans.