March Exhibitions and Event Listings for the Cleveland Museum of Art
- Press Release
Photo courtesy of Eleven Suns Agency
Contact the Museum's Media Relations Team:
(216) 707-2261
marketingandcommunications@clevelandart.org
Events
CIM Organ Studio
Sunday, March 1, 2026, 2:00–3:00 p.m.
Gartner Auditorium, Suzanne and Paul Westlake Performing Arts Center
Outstanding conservatory musicians from the Cleveland Institute of Music in the studio of acclaimed organist Todd Wilson present an afternoon recital of works for solo organ on the museum’s McMyler Memorial Organ.
Program
“Mors et Resurrectio,” from Trois Paraphrases Grégoriennes, op. 5, no. 1 Jean Langlais (1907–1991)
Hunter Peterson
Chaconne in C Minor, BuxWV 159 by Dieterich Buxtehude (1637–1707)
Prélude pour Orgue, op. 78 by Cécile Chaminade (1857–1944)
Alisdair Welty
Two Schübler Chorale Preludes Meine Seele erhebt den Herren, BWV 648 by Johann Sebastian Bach (1685–1750)
Kommst du nun, Jesu, vom Himmel herunter, BWV 650 Prelude, Fugue, and Variation, op. 18 by César Franck (1822–1890)
Philip Sotak
Plymouth Suite, Salix, Chanty, Allegro risoluto by Percy Whitlock (1903–1946)
Carolyn Hoff
Prelude and Fugue on the Name of BACH, S. 260 by Franz Liszt (1811–1886)
Kelsey Berg
Hunter Peterson is a second-year master of music student at CIM. He is director of music and organist at Trinity United Church of Christ in Wadsworth. He holds a bachelor of music degree in organ performance with a concentration in composition from Westminster College in New Wilmington, Pennsylvania. Away from the keyboard, he enjoys exploring nature and spending time with friends and family.
Alisdair Welty is a first-year student in the organ studio at CIM, studying with Todd Wilson. Ali’s unique repertoire of underplayed music by both popular and underrepresented composers reflects his desire to showcase the diversity of classical music and the expansiveness of the organ repertoire. His special love for 20th-century music has both shocked and delighted audiences.
A native of Columbus, Ohio, Philip Sotak is a first-year organ major at CIM. In addition to music, he is an award-winning swimmer and enjoys baking.
Carolyn Hoff is a fourth-year undergraduate student at CIM. In 2025, she was named an AGO Rising Star, and she is performing at this summer’s AGO National Convention in St. Louis. She works at Saint Paul’s Episcopal Church in Cleveland Heights and is a graduate of the Interlochen Arts Academy, where she studied with Tom Bara. Other previous instructors include Monica Berney and Dr. Jeffery Smith. In her free time, she enjoys running, hiking, and sewing.
Dr. Kelsey Berg is a guest lecturer in organ for the Joint Music Program between CIM and Case Western Reserve University. She recently graduated from CIM, where she studied with Todd Wilson. This semester, Kelsey was appointed as lecturer in music theory at Baldwin Wallace University’s Conservatory of Performing Arts. She currently serves as assistant organist-choirmaster at Saint Paul’s Episcopal Church in Akron.
Chamber Music in the Galleries: Will Dudley
Wednesday, March 4, 2026, 6:00–7:00 p.m.
Location: Toby's Gallery for Contemporary Art | Gallery 229A
Free; No Ticket Required
The popular chamber music concert series continues with an exploration of music for the kora performed by Will Dudley.
Will discovered the kora, a West African harp played by the Mandinka people of Mali, Senegal, and Gambia, while a student at the Ohio State University. In 2015 and 2018, he traveled to West Africa, spending five months immersed in the musical culture of Gambia and Mali training with kora masters. Will now fuses traditional kora technique with his own sensibilities—composing songs in alternative time signatures and altered tunings. His studies in West Africa deeply shaped his approach to music, inspiring him to blend deep traditions with contemporary exploration.
MIX: Material Girl
Friday, March 6, 2026, 6:00–10:00 p.m.
Ames Family Atrium
Celebrate Women’s History Month at MIX: Material Girl, an ’80s dance party commemorating the unstoppable women who defined the sound of that decade, including Madonna, Whitney Houston, Janet Jackson, Blondie, Sade, Kate Bush, and more. This evening’s entertainment includes DJ sets by Mimi Dromette and BG (Bridget D Ginley), two DJs known for their on-air personalities at WRUW-FM 91.1. Guests are encouraged to dress in ’80s-inspired outfits that combine thrift-store attitude with pop-star confidence. Themed food and drink items, including cocktails, beer, and wine, are available to purchase from Bon Appétit.
Here is the full entertainment schedule:
6:00 p.m.: Mimi
7:00 p.m.: BG
8:00 p.m.: Mimi
9:00 p.m.: BG
MIX is a 21+ event.
More About the DJs:
Mimi Dromette is a Cleveland-based DJ best known as the cocreator, co-DJ and sole graphic designer/illustrator behind Cleveland’s largest goth event—Dark Wave Dance Cave—and for her work at WRUW-FM 91.1 Cleveland. From ’80s dance parties in nightclubs and vinyl bars to community events, local and beyond, Mimi curates music to fit the occasion, building community through music.
Bridget D Ginley is an artist and a DJ from Cleveland, Ohio. She joined the staff at WRUW-FM 91.1 as a broadcaster, fundraiser, and programmer in 2006 and is currently the hostess of Erie Effusion, broadcast live on Sundays on WRUW-FM 91.1. The show features alternative ’80s music from one of the largest vinyl libraries at Case Western Reserve University.
Disclaimer: No full-face masks, heavy face paint, glitter, weaponlike props, or excessively oversized costumes are permitted. All outfits are subject to security screening. The Cleveland Museum of Art may refuse entry to any visitor whose attire does not comply with these requirements.
Tigran Hamasyan: Manifeste
Wednesday, March 11, 2026, 7:30–9:00 p.m.
Gartner Auditorium, Suzanne and Paul Westlake Performing Arts Center
Tigran Hamasyan has established himself as one of the most remarkable and distinctive jazz-meets-rock pianists and composers of his generation. A piano virtuoso with formidable groove power, he seamlessly fuses potent jazz improvisation and progressive rock with the rich folkloric music of his native Armenia. His accolades include winning the Montreux Jazz Festival Solo Piano Competition in 2003, the prestigious Thelonious Monk Institute of Jazz International Piano Competition in 2005, the Echo Jazz Award for International Piano Instrumentalist of the Year for his Nonesuch Records debut, Mockroot (2015), and the Deutscher Jazzpreis in 2021.
Hamasyan has earned praise from jazz luminaries, including Herbie Hancock, Brad Mehldau, and the late Chick Corea, while building a dedicated following worldwide. As NPR notes, “With startling combinations of jazz, minimalist, electronic, folk and songwriterly elements . . . Hamasyan and his collaborators travel musical expanses marked with heavy grooves, ethereal voices, pristine piano playing and ancient melodies. You’ll hear nothing else like this.” With Manifeste (2026), Hamasyan crystallizes his profound artistic vision, merging the mythical with the modern in a work that stands as both spiritual journey and sonic innovation.
Performers:
Tigran Hamasyan, piano
Yessaï Karapetian, keyboards
Evan Marien, bass
Arman Mnatsakanyan, drums
More information about Tigran Hamasyan can be found on his website (opens in a new tab).
No Exit Presents “Cleveland Renaissance: Art of the Cleveland School”
Friday, March 13, 2026, 7:00–8:30 p.m.
Gartner Auditorium, Suzanne and Paul Westlake Performing Arts Center
No Exit presents “Cleveland Renaissance: Art of the Cleveland School,” an exploration of one of Cleveland’s greatest artistic legacies through the lens of music and poetry. In the first half of the 20th century, Cleveland was home to an extraordinary and vibrant creative zeitgeist, which included some of the most visionary, adventurous, and masterful artists that this country has ever produced. No Exit celebrates the artists of the Cleveland School with brand-new musical and poetic works, which serve as companion pieces to paintings from Clarence Holbrook Carter, William Sommer, Clara L. Deike, Hughie Lee-Smith, August Biehle Jr., Clarence Van Duzer, and more.
Featured are world premiere musical works by Adonai Henderson, Gleb Kanasevich, Chris Neiner, Greg D’Alessio, James Praznik, and Timothy Beyer. Also included on the program are new poetic creations written and performed by Ray McNiece and Raja Belle Freeman. The ensemble is joined by harpist Stephan Haluska.
As always, No Exit events are free and open to the public. Adventurous minds are welcome!
For more information about No Exit, please visit the ensemble’s website (opens in a new tab).
Date Night Performances: Tasting Notes
Fridays, March 13, 20, and 27, 2026
Provenance Restaurant
Free; reservations suggested (opens in a new tab)
Join us in Provenance Restaurant for Tasting Notes to immerse yourself in food, cocktails, and music in a supper-club environment.
Occurring on Friday nights in March except for the first Friday of the month, Tasting Notes invites guests to indulge in Provenance’s curated Taste the Art menu, a collaboration between Chef Doug Katz and Bon Appétit, while enjoying a live jazz duo performing from 7:00 to 9:00 p.m.
While there is no cover charge for these events, reservations are strongly encouraged and can be made on Provenance’s website (opens in a new tab). Seating for performances is reserved for dine-in and bar guests. There is no complimentary food or beverage provided with reservation.
The entertainment schedule for the series is as follows:
March 13: Dan Bruce Duo (opens in a new tab)
March 20: Brian Kozak Duo
March 27: Garrett Folger and Aidan Plank
Tasting Notes is part of the Cleveland Museum of Art’s Date Night offerings.
Piano Cleveland and the Cleveland School of the Arts Present
Arts Alive: "Dinosaurs Awaken"
Wednesday, March 18, 2026, 7:00–8:30 p.m.
Gartner Auditorium, Suzanne and Paul Westlake Performing Arts Center
Presented by Piano Cleveland, “Dinosaurs Awaken” is an immersive, interactive Arts Alive production featuring Cleveland School of the Arts students in music, visual arts, and dance. Through movement, live music, and visual storytelling, audiences are transported back in time into a world that is both timeless and awe inspiring.
Les Délices Presents “Marianne Mozart”
Sunday, March 22, 2026, 3:00–4:30 p.m.
Gartner Auditorium, Suzanne and Paul Westlake Performing Arts Center
Les Délices (pronounced “Lay Day-lease”) delights, inspires, educates, and expands audiences for music on period instruments through innovative programming and world-class performances. With deep roots in the Northeast Ohio community, Les Délices is building a national reputation as a leader in the field of early music, advancing its relevance and sustainability. In this event, Les Délices presents its program “Marianne Mozart.”
History remembers Wolfgang Amadeus Mozart as a singular prodigy, but in his youth, he shared the spotlight with an equally gifted sibling, Marianne Mozart (1751–1829). To illuminate Marianne’s story, Les Délices core members Shelby Yamin (violin) and Mark Edwards (fortepiano) perform familiar works by Wolfgang alongside brilliant, often overlooked compositions by some of his female contemporaries: Franziska Lebrun, Maddalena Lombardini Sirmen, Jane Mary Guest, and Josepha Barbara Aurnhammer.
Program
W. A. Mozart: Sonata in B-flat, K. 31 (1764)
Allegro
Tempo di menuetto (Tema con variazione)
Franziska Lebrun (née Danzi): Sonata in C Major, op. 2, no. 4 (1780)
Allegro
Rondo—Allegro assai
Maddalena Lombardini Sirmen or Ludovico Sirmen: Sonata in A Major (1776)
Moderato
Jane Mary Guest: Sonata in B-flat, op. 1, no. 3 (c. 1779, pub. 1784)
Adagio
Presto
Josepha Barbara Aurnhammer: Variations on “Der Vogelfänger bin ich ja” (1792)
W. A. Mozart: Sonata in C Major, K. 296 (1781)
Allegro vivace
Andante sostenuto
Rondo allegro
More information about Les Délices can be found on the ensemble’s website.
Chamber Music in the Atrium with Piano Cleveland: Jiayan Sun
Tuesday, March 24, 2026, 12:00–1:00 p.m.
Ames Family Atrium
Free; No Ticket Required
The Cleveland Museum of Art partners with Piano Cleveland to present this spring’s Chamber Music in the Atrium lunchtime concert series, which occurs on March 24, April 21, and May 12 at 12:00 p.m. Each performer presents a captivating piano performance and provides background on the works performed.
Currently associate professor of music and the associate chair for performance activities at Smith College, pianist Jiayan Sun’s story includes more than piano. Sun’s deep interest in early keyboard instruments resulted in a dynamic career in which he won major piano prizes in the Cleveland, Dublin, Leeds, and Toronto International Piano Competitions, as well as critically acclaimed performances as a fortepianist and harpsichordist with the American Classical Orchestra in Alice Tully Hall. His solo album, Ferruccio Busoni and His Muses, garnered further critical acclaim by Gramophone and International Piano. He is a Steinway & Sons artist.
Chamber Music in the Galleries: The Cleveland Chamber Choir: “Madness and Melancholy”
Wednesday, March 25, 2026, 6:00–7:00 p.m.
Donna and James Reid Gallery | Gallery 217
Free; No Ticket Required
When the passions of our subconscious pour out into daily life, the results are dramatic indeed. In “Madness and Melancholy,” singers from the Cleveland Chamber Choir bring a program of Baroque music that promises to arouse the spirits of even the most lethargic souls. The selections include excerpts from Henry Purcell’s Dido and Aeneas, mad songs by John Eccles and John Blow, Italian laments, and more. The performance features Dominic Aragon, baritone; Abigail Hakel-Garcia, soprano and violin; Adrian Murillo, theorbo; Kira McGirr, contralto; and Gregory Ristow, harpsichord.
The region’s premier professional choir, the Cleveland Chamber Choir provides audiences with exceptional performances of unique and diverse repertoire, blending music by living composers with nine centuries of choral repertoire and emphasizing the works of composers historically excluded from the concert hall. Since its founding in 2015, the choir has won acclaim for inclusive programming, for partnering with community charities, and for free concerts that ensure everyone can afford to hear world-class professional choral singing.
Under the direction of Artistic Director Gregory Ristow, the Cleveland Chamber Choir brings together performing artists, audience members, and donors with the philosophy that choral music is a vehicle for good in the world that should be accessible and welcoming to all. All the ensemble’s members are professional singers who currently reside in Northeast Ohio. The mission of the choir is to nurture and amplify the strength and resonance of Northeast Ohio’s choral artistry.
Maruja Limón
Wednesday, March 25, 2026, 7:30–9:00 p.m.
Gartner Auditorium, Suzanne and Paul Westlake Performing Arts Center
Maruja Limón is an all-female sextet from Barcelona known for vibrant music that blends flamenco, pop, and Latin rhythms. Formed in 2014, the group composes and arranges its own songs and has performed at festivals—including Festival Cruïlla and Pirineos Sur—and venues in Spain, Morocco, and across Europe. The band is touring in support of its EP Te Como la Cara, where it explores Catalan, flamenco, and Latin rumba fused with experimental electronic sounds, dembow, salsa, and pop, delivering explosive music with lyrics that balance sensitivity and irony.
Maruja Limón gained recognition in Billboard’s On the Radar Latin section after the band’s debut in the Latin Alternative Music Conference (LAMC, New York). In January 2025, Maruja Limón made its first US tour, captivating audiences and filling venues, including the Lincoln Center in New York and the Kennedy Center in Washington, DC. This evening’s performance is the band’s debut in Cleveland.
New This Month
Manet & Morisot
Sunday, March 29–Sunday, July 5, 2026
The Kelvin and Eleanor Smith Foundation Gallery |Special Exhibition Gallery
Manet & Morisot is the first ever major exhibition dedicated to the artistic exchange between Édouard Manet, often referred to as the father of modern painting, and Berthe Morisot, the only woman among the founding members of the Impressionist movement. Unfolding over a period of roughly 15 years, between 1868 and 1883, theirs was perhaps the closest relationship between any two members of the Impressionist circle. As friends and colleagues—by turns collaborative and competitive—they collected one another’s work. Morisot posed for some of Manet’s most compelling portraits, several of which will be on view in the first gallery of the exhibition. When she married Manet’s younger brother, their professional connection deepened into a familial bond. Thirty-six paintings and seven drawings and prints borrowed from museums and private collections in the United States and Europe reveal the evolution of a singular friendship between two groundbreaking artists.
Visitors will see beach and garden scenes made en plein air (out-of-doors) that demonstrate how Manet borrowed individual motifs and compositional ideas directly from Morisot. Portraits of fashionable Parisian women of the 1880s by the two artists show their different perspectives; Manet’s paintings were inspired by admiration and erotic interest while Morisot’s were informed by lived experience. The exhibition closes with a self-portrait by Morisot painted when she was in her mid-40s, revealing her perception of herself as a professional artist.
This exhibition is organized by the Fine Arts Museums of San Francisco in collaboration with the Cleveland Museum of Art.
Presented by
Generous support is provided by Anne T. and Donald F. Palmer.
This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.
Final Weeks
Dara Birnbaum’s Technology / Transformation: Wonder Woman
Through Sunday, March 29, 2026
Gallery 224B
Free; No Ticket Required
In this video, Dara Birnbaum appropriates footage from the 1970s TV show Wonder Woman to examine and deconstruct the representation of women in popular culture and mass media. Birnbaum isolates and loops moments of the main character Diana Prince’s transformation from an office administrator into the heroic Wonder Woman, using repetition and editing to call attention to the constructed nature of filmmaking.
On-Site Activities
Lunchtime Lecture: Native American Works on Paper
Tuesday, March 3, 2026, 12:00–1:00 p.m.
Speakers: Britany Salsbury, Curator of Prints and Drawings and Nadiah Rivera Fellah, Curator of Contemporary Art
This lecture provides an overview of still/emerging: Native American Works on Paper, the CMA’s first exhibition to highlight its collection of prints and drawings by Native American artists. Featuring the unique histories and perspectives of Indigenous artists from several backgrounds and tribal affiliations, the exhibition includes artwork from the 1950s to the present. It encompasses examples by some of the most influential Native American artists working today, including Edgar Heap of Birds, Jaune Quick-to-See Smith, Wendy Red Star, and Rose B. Simpson, thus showcasing the importance of the graphic arts within their contemporary practices.
Senior Studio
Tuesdays, March 3 and 10, 2026, 2:00–3:30 p.m.
Rebekah Wilhelm, artist
Location: Classroom F
$10 CMA Members, $15 Nonmembers
Calling all seniors! Looking for an opportunity to learn some new art skills or build on those you have? Come to the CMA on the first Tuesday of each month for Senior Studio, an art class just for those over 55. Explore the fundamentals of different media with instruction from professional artist Rebekah Wilhelm. All skill levels are welcome, beginner to expert. Materials are provided.
Women’s Art History Tours
Wednesdays, Through March 25, 2026, 6:15–7:15 p.m.; and Saturdays, Through March 28, 2026
Ames Family Atrium, 3:00–4:00 p.m.
Celebrate Women’s History Month with guided tours highlighting women artists in the museum’s collection. The museum celebrates Women’s History Month in March and all year round. Learn about women artists in the museum’s collection in daily guided tours and Art and Conversation tours.
To schedule private tours for adult groups of 10 or more, please contact grouptours@clevelandart.org or call 216-707-2752.
Art Up Close
Women Artists
Friday, March 6, Tuesday, March 10, and Wednesday, March 25, 2026, 11:00 a.m.–1:00 p.m.
Ames Family Atrium
Free; No Ticket Required
Celebrate Women’s History Month with a selection of artworks made by women artists.
Play Day: Picture This!
Sunday, March 8, 2026, 10:00 a.m.–2:00 p.m.
Ames Family Atrium
Free; No Ticket Required
Play Days at the CMA are free opportunities for families to be creative and curious and connect through art together. Events include music, storybook readings, games, and art making for the whole family. Each event has a theme that relates to an exhibition, artist, or artworks in the CMA’s collection.
Get ready to capture the fun during this photography adventure! Inspired by the imaginative work of Ann Hamilton, families can zoom in on creativity as they snap, experiment, and discover how technology and storytelling come together through hands-on activities.
Knights at the Museum
Wednesday, March 18, 2026, 11:00 a.m.–1:00 p.m.
Jack, Joseph, and Morton Mandel Armor Court | Gallery 210A
Free; No Ticket Required
Discover and engage with the artistry and technology of 16th-century Renaissance armor.
Sensory-Friendly Saturday
Saturday, March 21, 2026, 9:00–10:00 a.m.
Free; No Ticket Required
Sensory-Friendly Saturday events offer adaptations to meet diverse sensory-processing needs every third Saturday of each month from 9:00 to 10:00 a.m. Guests on the autism spectrum, people experiencing dementia, and those of all ages who have intellectual or developmental disabilities are invited to participate in a calming museum experience with less stimulation in a section of the museum’s galleries before they open to the public—reducing crowds, noise, and distractions.
Guests can explore the galleries at their own pace and share this time and space with open-minded members of the community.
Things to Know While Planning Your Visit
- All guests must pass through metal detectors at the museum entrance.
- Attendees are encouraged to bring adaptive equipment, including wheelchairs, walkers, and noise-reducing headphones and technology. The Cleveland Museum of Art also offers a limited number of wheelchairs.
- The museum store and café open at 9:00 a.m. on these Saturdays.
- Sensory-Friendly Saturday events are free. Parking in the CMA garage is $14 for nonmembers and $7 for members.
- Once participants enter, they are welcome to stay for the day. The museum opens to the public at 10:00 a.m.
Open Studio: Spring Break Pop Up!
Daily, Wednesday, March 25, 2026 through Friday, March 27, 2026, 10:00 a.m.–2:00 p.m.
North Court Lobby
Free; No Ticket Required
Open Studio days provide free, drop-in art-making sessions designed for the whole family, encouraging creativity and bonding through hands-on activities.
Holy Week Tours
Sunday, March 29, 2026, 3:00–4:00 p.m.
Tuesday, March 31, 2026, 3:00–4:00 p.m.
Wednesday, April 1, 2026, 5:45–6:45 p.m.
Thursday, April 2, 2026, 3:00–4:00 p.m.
Friday, April 3, 2026, 5:45–6:45 p.m.
Saturday, April 4, 2026, 3:00–4:00 p.m.
Sunday, April 5, 2026, 3:00–4:00 p.m.
Ames Family Atrium
Step into Holy Week through art. Join a docent-led tour that traces the final days of Christ as artists across centuries gave form to faith, suffering, and hope. From the triumphal entry into Jerusalem on Palm Sunday, to the intimacy of the Last Supper, the anguish of the Crucifixion, and the stillness of the tomb, this tour follows the Passion narrative as it unfolds in paint, stone, and gold.
To schedule private tours for adult groups of 10 or more, please contact grouptours@clevelandart.org or call 216-707-2752.
Para programar una visita guiada de Semana Santa en español, por favor comuníquese con grouptours@clevelandart.org o llame al 216-707-2752.
Manet & Morisot Tours
Daily, Tuesday, March 31, 2026, Through Friday, July 3, 2026, 11:00 a.m.–12:00 p.m.
Ames Family Atrium
Join a guided tour of Manet & Morisot and discover the fascinating bond between Édouard Manet and Berthe Morisot. Our docents illuminate the complex relationship of these two groundbreaking artists, colleagues, family members, and friends. Featuring 36 paintings and 7 drawings and prints loaned from major US and European collections, the exhibition reveals the evolution of their singular artistic friendship.
Tours meet their docent at the information desk in the Ames Family Atrium.
To schedule private tours for adult groups of 10 or more, please contact grouptours@clevelandart.org or call 216-707-2752.
There are no tours on Saturday, July 4—the museum is closed in observance of Independence Day.
Open Studio
Weekly on Sundays, 10:00 a.m.–2:00 p.m.
North Court Lobby
Free; No Ticket Required
Open Studio days provide free, drop-in art-making sessions designed for the whole family, encouraging creativity and bonding through hands-on activities.
Art and Conversation Tours
Tuesdays, 10:15–10:45 a.m.
Ames Family Atrium
Join us for 30-minute close-looking sessions, from 10:15 to 10:45 a.m. on Tuesdays. This program offers a focused look at just a couple of artworks, versus the traditional 60-minute public tours of the museum’s collection.
Daily Guided Tours
Tuesday–Sunday
Ames Family Atrium
Public tours are offered Tuesday through Sunday at 11:00 a.m. and 1:00 p.m., with additional tours at 11:30 a.m. and 1:30 p.m. on Tuesdays. Art and Conversation Tours are offered at 10:15 a.m. on Tuesdays.
Date-Night Tours
Fridays, 6:15–7:15 p.m.
Ames Family Atrium
The museum also offers daily guided tours and Art and Conversation tours. To schedule private tours for adult groups of 10 or more, please contact grouptours@clevelandart.org or call 216-707-2752.
Continuing Exhibitions
Juxtaposition and Juncture in Korean Modern and Contemporary Art
Through May 3, 2026
Korea Foundation Gallery | Gallery 236
Free; No Ticket Required
The term “juxtaposition” here refers to the side-by-side placement of two or more artworks that are significantly different from one another. Featuring Korean modern and contemporary objects that the CMA has collected over the past 15 years, this thematic exhibition juxtaposes them to create an exciting juncture of connections through their visual and material contrasts.
While the selected works were created by Korean artists from diverse backgrounds and different generations, they make a poignant meeting place illustrating how objects from the past inspired contemporary artists to create new experiences and artistic expressions.
Ann Hamilton: still and moving • the tactile image
Through Sunday, April 19, 2026
Toby’s Gallery for Contemporary Art | Gallery 229C
Mark Schwartz and Bettina Katz Photography Galleries | Gallery 230
Free; No Ticket Required
Where am I? What is here? Who is here? These are the questions that internationally renowned artist Ann Hamilton asks herself at the beginning of every project in order to find the appropriate medium, form, and physical manifestation with which to respond to the site or occasion. Eight years in the making, Hamilton’s exhibition at the Cleveland Museum of Art focuses on a medium that has become increasingly important to her over the past decade—photography.
Hamilton used a handheld scanner to bring to life objects in the museum’s collection that are rarely on display: small-scale figurative ceramics and crèche figures from the 1600s to the 1800s. Her floor-to-ceiling images of the diminutive sculptures fill the walls and surround the viewer in the museum’s photography gallery. The sculptures become characters joined in a story that is hinted at but never told.
A different photographic medium—video—dominates the second of the exhibition’s two galleries, where three videos circle the walls. They ask us to consider the act of making, to explore the concept of turning in space, and to ponder the relationship between touch and language.
Born in Lima, Ohio, and living in Columbus, Hamilton is among Ohio’s most influential and best-known artists. Among her many honors are the National Medal of the Arts, the MacArthur Fellowship, the Heinz Award, and the Guggenheim Memorial Fellowship.
The Cleveland Museum of Art is funded in part by residents of Cuyahoga County through a public grant from Cuyahoga Arts & Culture.
This exhibition was supported in part by the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment for the Arts.
Adorning Ritual: Jewish Ceremonial Art from the Jewish Museum, New York
Through Sunday, May 10, 2026
Various Galleries
Free; No Ticket Required
The Cleveland Museum of Art houses an encyclopedic collection, giving visitors valuable insights and perspectives into the lives and cultures of people around the world and throughout time. To enhance its permanent collection and to more fully represent the stories and objects important to our communities, the museum is displaying art on loan from the Jewish Museum, New York, in six galleries.
Most of the works are ritual objects relating to Judaism or the lives of Jewish people, from silver Torah finials to an inlaid marble panel commemorating a marriage. The objects have been placed in context with other works of the same time or region, allowing a fuller narrative to unfold. As you encounter these objects in the galleries, we invite you to consider their relationships to the other works in these spaces.
In addition to the loans from the Jewish Museum, two examples of Jewish ceremonial art from local collections are on display in two additional galleries: an etrog box recently acquired by the Cleveland Museum of Art and a miniature Torah ark on loan from the Mishkan Or Museum of Jewish Cultures in Beachwood, Ohio.
Principal support is provided by Rebecca and David Heller and Gail and Elliott Schlang. Additional support is provided by Michael Frank and the late Pat Snyder, Richard A. Horvitz and Erica Hartman-Horvitz, Mr. and Mrs. David D. Kahan, Marjorie Moskovitz Kanfer and Joseph Kanfer, Dr. Linda M. Sandhaus and Dr. Roland S. Philip, and the Simon Family Foundation, a supporting foundation of the Jewish Federation of Cleveland.
A Myriad of Flowers and Birds in Chinese Art
Through Sunday, May 24, 2026
Clara T. Rankin Suite of Chinese Art Galleries | Gallery 240A
Free; No Ticket Required
For artists of historical China, the natural world was a major source of inspiration. Birds and flowers reflect nature’s beauty in an ideal way. Bird-and-flower paintings were not only appreciated for their decorative appeal and artistic merit, the motifs may also have symbolic connotation and sometimes form a rebus, a visual and auditory pun, to express good wishes to the recipient.
This display presents around 20 paintings, porcelain, and embroidery from the collections of the museum and a private collector, some of which have not been shown to the public before.
This display is dedicated to the memory of the late Clara T. Rankin, museum trustee and lover of birds and flowers.
still/emerging: Native American Works on Paper
Through Sunday, June 7, 2026
James and Hanna Bartlett Prints and Drawings Galleries | Galleries 101A–B
Free; No Ticket Required
still/emerging: Native American Works on Paper is the first exhibition to highlight the Cleveland Museum of Art’s collection of prints and drawings by Native American artists. In 2022, the creation of the museum’s Indigenous Peoples and Land Acknowledgment inspired a commitment to greatly strengthen its holdings in this important field. The title of this show comes from a poem on Indigenous survivance by Navajo poet Kinsale Drake and references the fact that the CMA land acknowledgment serves “not as an end but rather as the beginning” of an ongoing collaboration with our Native community members. The objects on view survey the ways in which Native artists have innovatively used various print and drawing techniques to explore their cultural heritage.
This exhibition includes around 30 works created from the 1950s through today that showcase the unique histories and perspectives of Indigenous artists from a number of backgrounds and tribal affiliations. Featured are works ranging from a series of powerful woodcut portraits by T. C. Cannon (Kiowa-Caddo, 1946–1978) to a set of deeply symbolic color lithographs by Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation, 1940–2025). The presentation also includes work by multimedia artists, such as Wendy Red Star (Apsáalooke/Crow, born 1981), Kay WalkingStick (American, Member of the Cherokee Nation/Oklahoma, born 1935), Nicholas Galanin (Tlingít/Unangax̂, born 1979), Edgar Heap of Birds (Cheyenne and Arapaho Nations, born 1954), and Rose B. Simpson (Santa Clara Pueblo, born 1983), among others, to shed new light on the importance of the graphic arts within their contemporary practices. Community voice labels by members of the museum’s Native American Advisory Committee, who have been involved in the museum’s efforts, highlight the local impact of this growing collection at the CMA.
This exhibition is made possible with support from the Malcolm E. Kenney Curatorial Research Fund.
Highlights of Japanese Art
Through Sunday, June 14, 2026
Kelvin and Eleanor Smith Foundation Japanese Art Galleries | Galleries 235A–B
Free; No Ticket Required
These galleries feature recent acquisitions in dialogue with treasures from the museum’s world-renowned collection of Japanese art. The impressive, large-scale Welcoming Descent of Amida with 25 Bodhisattvas from the mid-1300s is displayed alongside the important early 1300s handscroll The Illustrated Miraculous Origins of the Yūzū Nenbutsu School, which depicts Buddhists interacting with paintings of Amida in descent.
A diminutive sculpture from the 1100s of Gozu Tennō, the ox-headed plague deity, is on view with a large Buddhist sketch and an image of Zaō Gongen, the deity of Mount Kinpu, both also from the same period. Together, these works of art show how Buddhist iconography informed how other gods were represented.
Five small-scale Nabeshima dishes showcase the versatility of ceramists in northern Kyushu during the 1600s and early 1700s, while a complex pair of early 1600s screens depict the arrival of European traders to the port city of Nagasaki.
Hidden Insights: Looking at the Backs of Portrait Miniatures
Through Sunday, February 14, 2027
Ellen and Bruce Mavec Gallery | Gallery 203B
Free; No Ticket Required
Portrait miniatures were portable luxury objects treasured by their owners both for the cherished portrait and the precious materials from which they were crafted. Frequently, patrons would spend substantially more than the cost of the portrait to have it placed in a gold or silver case outfitted with pearls, enamel, diamonds, colored glass, or elaborate hair work. Thirteen miniatures spanning 230 years represent a variety of approaches to ornamenting the back of a portrait and suggest the wealth of information that can be hidden from view.
Pintoricchio Magnified: An Immersive Conservation Experience
Through Sunday, August 23, 2026
Gallery 115
Free; No Ticket Required
Through a digital immersive experience, step into the conservation studio and get a behind-the-scenes look at the materials and techniques conservators use to preserve paintings in the CMA collection.
For almost 50 years, Pintoricchio’s Virgin and Child (c. 1490–1500) was in storage at the CMA, its last original layers of blue paint hidden beneath a mask of restoration treatments undertaken in the 1900s. Although considered one of the most significant paintings within the early Italian collection, its complicated restoration history and physical state rendered it largely unexhibitable.
In the most recent conservation treatment, original paint layers were revealed, allowing unparalleled access to Pintoricchio’s original composition, freed from past interventions. This allowed conservators to embark on the rediscovery and reexamination of one of the more damaged paintings within the CMA collection and use cutting-edge technologies to better understand the materials and techniques used by the artist. Through a large digital display, visitors can traverse the layers of the painting and its conservation treatment, examining changing details as if magnified under a microscope.
This exhibition is made possible with support from Jared and Linda Buono Chaney and Carl M. Jenks.
All activities of the Eric T. and Jane Baker Nord Family Conservation Suite are underwritten by the CMA Fund for Conservation.
All digital innovation and technology initiatives at the Cleveland Museum of Art are underwritten by the CMA Digital Innovation Fund.
Pahari Paintings: Art and Stories
Through Sunday, September 13, 2026
Gallery 242B
Free; No Ticket Required
In the far north of India, the Himalayan mountain ranges rise abruptly from the Punjab plains to form the alpine region known as Pahari, defined by a shared language (Pahari) and script (Takri). From the 1600s to 1900s, the Hindu nobility of the Pahari kingdoms commissioned paintings for their royal collections. Known as “Pahari paintings,” they were made by painters who were born into hereditary artist communities located in villages throughout the region. By the end of the 1900s, many descendants of royal families dispersed them, and they became some of the most popular and widely collected genres of Indian painting in the world.
This installation celebrates the CMA’s 2018 acquisition and 2026 publication of the Pahari paintings from the renowned Catherine Glynn Benkaim and Ralph Benkaim Collection. It includes portraits of key patrons, a large-scale historical painting on cloth, and paintings of religious and poetic subjects. A special feature on paintings from a mystical romance, the Madhavanala-Kamakandala, reveals the complex dynamic between visual and literary arts, the sacred and the secular, Hindu and Muslim, local and mainstream. Two double-sided embroideries, known as rumal, showcase textile art made by Pahari women in collaboration with painters who were predominantly men. These 23 works of art summarize the scope of Pahari painting.
This show was organized to complement Epic of the Northwest Himalayas: Pahari Paintings from the “‘Shangri’ Ramayana” on view in the Julia and Larry Pollock Focus Gallery from April 19 through August 16, 2026.
American Printed Silks, 1927–1947
Through Sunday, November 8, 2026
Arlene M. and Arthur S. Holden Gallery | Gallery 234
Free; No Ticket Required
Between the late 1920s and late 1940s, the US was a leader in printed silks used in fashionable attire and interiors. This exhibition showcases printed silks in the CMA’s collection from four American companies—Stehli Silks Corporation, H. R. Mallinson and Company, Silks Beau Monde, and Onondaga Silk Company.
This exhibition was supported in part by the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment for the Arts.
Silver, Gold, and Gems: A Spotlight on Jewelry Across Africa
Through Sunday, December 6, 2026
Gallery 108C
Free; No Ticket Required
For the first time, view a permanent display of gold and silver jewelry from across the African continent on view in the collection galleries of the Cleveland Museum of Art. Admire a selection of glittering ornaments from the Akan states of West Africa, shimmering gemstones from the Maghreb region, hair accessories from ancient Egypt in Northern Africa, and the bold silver of five recently gifted Ethiopian necklaces from East Africa. Spanning thousands of years, these works testify to the depth of African creativity, the skill of jewelers on the continent, and the eternal human desire for adornment.
Native North American Textiles
Through Sunday, December 13, 2026
Sarah P. and William R. Robertson Gallery | Gallery 231
Free; No Ticket Required
Newly on display from the permanent collection are two Diné (Navajo) textiles from the late 1800s. Both are rugs woven for the non-Native collectors’ market, modeled on the Diné shoulder blanket.
Ancient Andean Textiles
Through Sunday, December 13, 2026
Jon A. Lindseth and Virginia M. Lindseth, PhD, Galleries of the Ancient Americas | Gallery 232
Free; No Ticket Required
Between about 3000 BCE and the early 1500s CE, ancient Andean weavers created one of the world’s most distinguished textile traditions in both artistic and technical terms. Within this time span, the most complex and well-preserved group of early textiles to survive was made by the Paracas people of Peru’s south coast.
Children’s Armor from the Imperial Habsburg Armory in Vienna
Through Sunday, June 4, 2028
Jack, Joseph, and Morton Mandel Armor Court | Gallery 210A
Free; No Ticket Required
Four historically significant suits of armor from the Imperial Habsburg Armory in Vienna, Austria, are being displayed in the armor court for the next three years. The selection focuses on children’s armor and weapons to illustrate how a military education played an important role in training boys to become a knight. A few objects from the CMA’s own collection of children’s armor are being shown alongside these magnificent loans.
Principal support is provided by the Jack, Joseph, and Morton Mandel Foundation.
New Acquisition: Giambologna’s Fata Morgana
Through Sunday, September 1, 2030
Gallery 117B
Free; No Ticket Required
The Cleveland Museum of Art has acquired Fata Morgana, one of the greatest works by Giambologna (Italian, 1529–1608), the preeminent sculptor of his generation, and the last known marble sculpture by his hand in a private collection. This rare and internationally renowned figure is being shown in a gallery evoking the Tuscan grotto in which it was originally placed.
Transformer Station
1460 W 29th St, Cleveland, OH 44113
Improper Frames
Through Sunday, May 10, 2026
Transformer Station
Free; No Ticket Required
A Cleveland Print Room exhibition presented in partnership with the Cleveland Museum of Art.
Improper Frames brings together artists and photographers working through Cleveland’s internal boundaries, partial views, and shifting frames. Their works present material and visual evidence contending with the city’s recently completed property inventory. This exhaustive survey is used to classify and evaluate parcels and buildings, quietly reshaping how Cleveland narrates its future blocks, neighborhoods, and thresholds. Across Improper Frames, trees defy property lines, photographic assemblies gather displaced stories, dust builds an index inside a home, and improvised architectures point to fragmented forms the property survey does not account for. Organized by Cleveland Print Room and curated by Theodossis Issaias, the exhibition features artists Amber Ford, Jon Gott, Michael Indriolo, Da’Shaunae Marisa, Vivica Satterwhite, and Alejandro Vergara, whose projects develop through sustained work across the city’s shifting terrain.
CMA Community Arts Center On-Site Activities
2937 West 25th Street, Cleveland, OH 44113
Free Parking in the Lot off Castle Avenue | Estacionamiento gratis en la Avenida Castle
Upcycle Parts Shop
Family FUNday: Lantern Workshop
Sunday, March 1, 2026, 1:00–4:00 p.m.
Free; All Ages; No Reservation Required
In collaboration with the Community Arts Center, Canalway and Upcycle Parts Shop are offering a free lantern-making workshop to help you create art to carry in the Towpath Trail Lantern Parade on Saturday, March 7. Bring a recycled glass or plastic jar to the workshop and learn how to turn it into a lantern from the team at Upcycle Parts Shop.
This workshop offers rolling seating and includes craft supplies, a battery-powered light, and hands-on assistance. Workshops are open to all. Minors must be accompanied by an adult. The Community Arts Center is located in the Pivot Center. A free parking lot is accessible from Castle Avenue, along with free street parking.
This event is supported in part by the residents of Cuyahoga County through a public grant from Cuyahoga Arts & Culture.
En colaboración con el Community Arts Center, Canalway y Upcycle Parts Shop ofrecen un taller gratuito de creación de linternas para ayudarte a crear una obra de arte que podrás llevar en el Desfile de Linternas del Towpath Trail el sábado 7 de marzo. Trae un frasco reciclado de vidrio o plástico al taller y aprende a transformarlo en una linterna con el equipo de Upcycle Parts Shop.
Este taller ofrece asientos sin horario fijo (puedes llegar en cualquier momento dentro del horario del evento) e incluye materiales de manualidades, una luz a batería y asistencia práctica. Los talleres están abiertos a todas las personas. Los menores deben estar acompañados por un adulto. El Community Arts Center está ubicado en el Pivot Center. Hay estacionamiento gratuito accesible desde Castle Avenue, además de estacionamiento gratuito en la calle.
Este evento cuenta con el apoyo parcial de los residentes del condado de Cuyahoga a través de una subvención pública de Cuyahoga Arts & Culture.
Lake Erie Ink Teen Party
Friday, March 6, 2026, 7:00–9:00 p.m.
Free; Registration Required
Teens in grades 6–12 are invited to the Kids’ Comic Con Teen Party at the CMA’s Community Arts Center! This fun event features a cosplay contest, trivia, and games, along with drawing and writing with guest artists! Learn more on Lake Erie Ink’s website (opens in a new tab). Doors open 6:30 p.m.
ASL (American Sign Language) interpretation is available for all Comic Con programs. To request ASL interpretation, please contact Lake Erie Ink’s operations manager, Maya Watkins, at staff@lakeerieink.org (opens in a new tab) by March 2.
¡Se invita a los jóvenes de los grados 6.º a 12.º a la Fiesta Juvenil de Kids’ Comic Con en el Community Arts Center del CMA! Este divertido evento contará con un concurso de cosplay, trivias y juegos, además de actividades de dibujo y escritura con artistas invitados. Obtén más información en el sitio web de Lake Erie Ink (se abre en una nueva pestaña). Las puertas abren a las 6:30 p. m.
Habrá interpretación en ASL (Lengua de Señas Estadounidense) disponible para todos los programas de Comic Con. Para solicitar interpretación en ASL, comunícate con la gerente de operaciones de Lake Erie Ink, Maya Watkins, al correo electrónico staff@lakeerieink.org (opens in a new tab) (se abre en una nueva pestaña) antes del 2 de marzo.
The Creative Table
Friday, March 13, 2026, 5:00–7:00 p.m.
Free; No Ticket Required | Gratis; No Se Requiere Boleto
Join us on the second Friday of each month for a laid-back evening of conversation and creativity. Whether you’re a painter, poet, photographer, or just curious, come hang out and share what you’ve been working on!
All mediums are welcome. The event is an open-discussion forum.
Únase a nosotros el segundo viernes de cada mes para una noche relajada de conversación y creatividad. Ya sea que sea pintor, poeta, fotógrafo o simplemente curioso, venga a pasar el rato, y comparta en qué ha estado trabajando.
Todos los medios son bienvenidos. El evento tiene un formato de discusión abierta.
Community Arts Center Open Studios | Estudios Abiertos del Centro de Artes Comunitario
Saturdays and Sundays, 1:00–4:00 p.m.
Free; No Ticket Required | Gratis; No Se Requiere Boleto
Join us for free, drop-in art making at the Community Arts Center! Each month features a theme that connects community, art, and exploration. This month we’re inspired by the amazing exhibition: American Silks, 1927–1947. Create your own patterned design on your very own scarf. Guests are invited to create a design inspired by their own interests and experiences. You will have the opportunity to print that design multiple times to create a unique pattern that speaks to your personal identity!
¡Acompáñanos para crear arte gratis sin necesidad de inscripción en el Community Arts Center! Cada mes presenta un tema que conecta la comunidad, el arte y la exploración. Este mes nos inspira la increíble exposición: American Silks. Crea tu propio diseño con patrones en tu propia bufanda. Invitamos a los participantes a crear un diseño inspirado en sus propios intereses y experiencias. Tendrás la oportunidad de imprimir tu diseño varias veces para crear un patrón único que refleje tu identidad personal.
Comic Club
Saturday, March 7, 2026, 11:00 a.m.–1:00 p.m.
Free; No Ticket Required | Gratis; No Se Requiere Boleto
Be inspired and venture into the world of storytelling with artist Kobe Saunders (opens in a new tab). Work in the company of others to develop your own style and collaborate!
Explore the long history of sequential art through various genres and cultures, including newspaper comic strips, American superhero comics and graphic novels, Japanese manga, and media adaptations (film and television) of these stories. Practice techniques to improve drawing and storytelling skills with a focus in character design, visual language, and panel structure.
Inspírate y aventúrate en el mundo de la narración de historias con el artista Kobe Saunders (opens in a new tab). ¡Trabaja en compañía de otros para desarrollar tu propio estilo y colaborar!
Explora la larga historia del arte secuencial a través de varios géneros y culturas, incluidas las tiras cómicas de periódicos, los cómics y novelas gráficas de superhéroes estadounidenses, el manga japonés y las adaptaciones de medios (cine y televisión) de estas historias. Practique técnicas para mejorar las habilidades de dibujo y narración con un enfoque en el diseño de personajes, el lenguaje visual y la estructura de paneles.
The 2025–26 Performing Arts Series is sponsored by the Musart Society. This program is made possible in part by the Ernest L. and Louise M. Gartner Fund, the P. J. McMyler Musical Endowment Fund, and the Anton and Rose Zverina Music Fund.
The views expressed by performers during this event are their own and do not necessarily reflect the opinions of the Cleveland Museum of Art.
Performances at Transformer Station are generously supported by the Cleveland Foundation.
All exhibitions at the Cleveland Museum of Art are underwritten by the CMA Fund for Exhibitions. Principal annual support is provided by Michael Frank and the late Pat Snyder, the Kelvin and Eleanor Smith Foundation, the John and Jeanette Walton Exhibition Fund, and Margaret and Loyal Wilson. Major annual support is provided by the late Dick Blum and Harriet Warm and the Frankino-Dodero Family Fund for Exhibitions Endowment. Generous annual support is provided by two anonymous donors, Gini and Randy Barbato, Cynthia and Dale Brogan, Dr. Ben and Julia Brouhard, Brenda and Marshall Brown, Gail and Bill Calfee, the Leigh H. Carter family, Dr. William A. Chilcote Jr. and Dr. Barbara S. Kaplan, Mary and Jim Conway, Joseph and Susan Corsaro, Ron and Cheryl Davis, Richard and Dian Disantis, the Jeffery Wallace Ellis Trust in memory of Lloyd H. Ellis Jr., Leigh and Andy Fabens, Florence Kahane Goodman, Martha H. and Steven M. Hale, Janice Hammond and Edward Hemmelgarn, Linda Harper, Robin Heiser, the late Marta and the late Donald M. Jack Jr., the estate of Walter and Jean Kalberer, Robert M. Kaye, Jane and Doug Kern, the late Mrs. Nancy M. Lavelle, Eva and Rudolf Linnebach, William S. Lipscomb, Bill and Joyce Litzler, the Roy Minoff Family Fund, Lu Anne and the late Carl Morrison, Mrs. Peta and the late Dr. Roland Moskowitz, Jeffrey Mostade and Eric Nilson and Varun Shetty, Sarah Nash, Courtney and Michael Novak, Tim O’Brien and Breck Platner, Dr. Nicholas and Anne Ogan, William J. and Katherine T. O’Neill, Henry Ott-Hansen, the Pickering Foundation, Frank and Fran Porter, Christine Fae Powell, Peter and Julie Raskind, Michael and Cindy Resch, Marguerite and James Rigby, in memory of Dee Schafer, Betty T. and David M. Schneider, Elizabeth and Tim Sheeler, Saundra K. Stemen, Paula and Eugene Stevens, the Womens Council of the Cleveland Museum of Art, and Claudia Woods and David Osage.
All education programs at the Cleveland Museum of Art are underwritten by the CMA Fund for Education. Principal support is provided by Dieter and Susan M. Kaesgen and Gail C. and Elliott L. Schlang. Major annual support is provided by Brenda and Marshall Brown, Mrs. Martine Kowal, Eva and Rudolf Linnebach, Medical Mutual of Ohio, the Edwin D. Northrup II Fund, Shurtape Technologies, and the Kelvin and Eleanor Smith Foundation. Generous annual support is provided by an anonymous donor, Gini and Randy Barbato, the M. E. and F. J. Callahan Foundation, Dr. William A. Chilcote Jr. and Dr. Barbara S. Kaplan, Char and Chuck Fowler, the Giant Eagle Foundation, Linda Harper, the late Marta and the late Donald M. Jack Jr., Susan LaPine, Bill and Joyce Litzler, the Logsdon Family Fund for Education, Sarah Nash, Courtney and Michael Novak, William J. and Katherine T. O’Neill, the Pickering Foundation, William Roj and Mary Lynn Durham, Suzanne Cushwa Rusnak and Jeff Rusnak, Ellen and Lowell Satre, in memory of Dee Schafer, Betty T. and David M. Schneider, the Sally and Larry Sears Fund for Education Endowment, Roy Smith, Paula and Eugene Stevens, the Trilling Family Foundation, Jack and Jeanette Walton, and the Womens Council of the Cleveland Museum of Art.
All activities of the Eric T. and Jane Baker Nord Family Conservation Suite are underwritten by the CMA Fund for Conservation. Principal annual support is provided by an anonymous donor and the Parker Hannifin Corporation. Major annual support is provided by Cathy Lincoln, Eva and Rudolf Linnebach, the Dawn M. Neff Endowed Fund for Conservation, and Dr. Isobel Rutherford. Generous annual support is provided by an anonymous donor, Gini and Randy Barbato, Brenda and Marshall Brown, Dr. William A. Chilcote Jr. and Dr. Barbara S. Kaplan, Linda Harper, the late Marta and the late Donald M. Jack Jr., Dr. and Mrs. John T. Lai, Albert Leonetti and Ruth Anna Carlson, June and Simon K. C. Li, William and Joyce Litzler, Sarah Nash, Courtney and Michael Novak, William J. and Katherine T. O’Neill, the Pickering Foundation, Michael Prunty and the late M. Lee Maxwell, William Roj and Mary Lynn Durham, Anya and John Rudd, in memory of Dee Schafer, Betty T. and David M. Schneider, the Seven Five Fund, Paula and Eugene Stevens, Jack and Jeanette Walton, and the Womens Council of the Cleveland Museum of Art.
All digital innovation and technology initiatives at the Cleveland Museum of Art are underwritten by the Digital Innovation Fund. Principal support is provided by two anonymous donors, the Bishop Parker Foundation, Walt and Kathy Fortney, Mr. William N. Hanson in loving memory of Susan H. Hanson, the late Dr. and Mrs. Gilles Klopman, the late Mr. Arthur S. Rundle, John and Leanne Sauerland, and Mrs. Meredith M. Seikel. Major support is provided by Mr. and Mrs. Tim Elek Jr. and the Trilling Family Foundation.
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About the Cleveland Museum of Art
The Cleveland Museum of Art (CMA) is renowned for the quality and breadth of its collection, which includes more than 66,500 artworks and spans 6,000 years of achievement in the arts. The museum is a significant international forum for exhibitions, scholarship, and performing arts and is a leader in digital innovations. One of the foremost encyclopedic art museums in the United States, the CMA is recognized for its award-winning open access program—which provides free digital access to images and information about works in the museum’s collection—and is free of charge to all. The museum is located in the University Circle neighborhood with two satellite locations on Cleveland’s west side: the Community Arts Center and Transformer Station.
The museum is supported in part by residents of Cuyahoga County through a public grant from Cuyahoga Arts & Culture and made possible in part by the Ohio Arts Council (OAC), which receives support from the State of Ohio and the National Endowment for the Arts. The OAC is a state agency that funds and supports quality arts experiences to strengthen Ohio communities culturally, educationally, and economically. For more information about the museum and its holdings, programs, and events, call 888-CMA-0033 or visit cma.org.